Berlin University of the Arts alumni

Günther Treptow (22 October 1907 in Berlin – 28 March 1981 in Berlin) was a German operatic tenor, best known for Wagner roles.
Treptow began his vocal studies in Berlin as a baritone under the Italian bass, Giovanni Scarneo. Treptow was since 1926 a member of the SA and Nazi Party (membership number 38 579) until the discovery in 1934 of his mother's Jewish heritage. He was banned from performing until being granted special permission to do so from Joseph Goebbels on 6 June 1935. He made his stage debut in Berlin, as the Italian singer in Der Rosenkavalier, in 1936. He sang at the Vienna Volksoper in 1938, as Florestan in Fidelio. He appeared at the Sopot Festival in 1939, in the title role of Tannhäuser. He made his debut at the Munich State Opera in 1940, the Vienna State Opera in 1947, and the Bayreuth Festival in 1951.
He quickly established himself as one of the leading heldentenors of his generation, in roles such as Siegmund in Die Walküre, Siegfried in Siegfried and Götterdämmerung, Walther von Stolzing in Die Meistersinger von Nürnberg and Tristan in Tristan und Isolde. Besides Wagner, he also sang such roles as Max in Der Freischütz, Steva in Jenůfa, Canio in Pagliacci, and the title role in Otello.
On the international scene, he made guest appearances at La Scala in Milan, La Monnaie in Brussels, the Royal Opera House in London, the Teatro Colón in Buenos Aires, the Metropolitan Opera in New York, also appearing in Leningrad and Moscow.
He sang at the Deutsche Oper Berlin from 1961 until his retirement in 1972.

Thea Tewi (June 24, 1902 – July 5, 1999) was a German-born American sculptor known for her work in stone. During the 1940s she was also a successful fashion designer who was proclaimed America's top lingerie designer in 1947.

Meta Seinemeyer (September 5, 1895 – August 19, 1929) was a German opera singer with a spinto soprano voice.
Seinemeyer was born in Berlin, where she studied at the Stern Conservatory with Ernst Grenzebach. She made her debut at the Deutsche Opernhaus in 1918. She joined the Dresden Semperoper in 1924, and began appearing at the Vienna State Opera in 1927.
On the international scene, she sang at the Teatro Colón in Buenos Aires, as Agathe in Der Freischütz, Sieglinde in Die Walküre, Elisabeth in Tannhäuser and Eva in Die Meistersinger von Nürnberg in 1926, and at the Royal Opera House in London in 1929, as Eva, Elsa in Lohengrin and Sieglinde.
Besides the great Wagner heroines, she also played an important role in the renaissance of Verdi's operas in Germany, winning considerable acclaim as Leonora in La forza del destino, Elisabeth de Valois in Don Carlos, and the title role in Aida. She was also admired as Marguerite in Faust, Maddalena in Andrea Chénier, and the title role in Tosca.
She took part in the creation of Ferruccio Busoni's Doktor Faust in Dresden in 1925.
Her voice is notable for her flawless management of register breaks, resulting in a seamless stream of tone from top to bottom. The voice has a very rich, enveloping sound, discernable even despite the limitations of the extant acoustic recordings. In some of these she partners the tenor Tino Pattiera, with whom she often appeared on stage.
One of the greatest German singers of her generation, her career was cut short when she died of leukemia in Dresden a few weeks short of her 34th birthday. Very shortly before her death, she married the conductor Frieder Weissmann(1893–1984). She is buried at the Stahnsdorf South-Western Cemetery close to Berlin.