Modern painters

Alexander Cañedo (December 26, 1902 – February 1, 1978) was a Mexican-American artist who was part of the surrealism and magic realism art movements of the mid-20th century.

Ludwig Hirschfeld Mack (11 July 1893, in Frankfurt-am-Main – 7 January 1965, in Allambie Heights, in Sydney) was a German-born Australian artist.
His formative education was 1912–1914 at Debschitz art school in Munich. He studied at the Bauhaus from 1919–24 and remained working there until 1926 where, along with Kurt Schwerdtfeger, he further developed the Farblichtspiele ('coloured-light-plays'), which used a projection device to produced moving colours on a transparent screen accompanied by music composed by Hirschfeld Mack. It is now regarded as an early form of multimedia. He was a participant, along with the former Bauhaus master Gertrud Grunow, in den II. Kongreß für Farbe-Ton-Forschung (Hamburg 1. - 5. Oktober 1930) (English: Second Congress for Colour-Sound Research, Hamburg). In 1923 he participated in the prestigious film festival "Der Absolute Film in Berlin with other film producers such as Hans Richter Viking Eggeling, Walter Ruttmann, Fernand Léger. Francis Picabia and Renée Clair. Music and colour theory remained lifelong interests, informing his art work in a number of media, and it was the inspiration for his well-respected and influential teaching.

Rudolf Levy (15 July 1875, in Stettin – January 1944, in Italy or Auschwitz) was a German expressionist painter of Jewish ancestry.

Camilo Mori Serrano (September 24, 1896 – December 7, 1973) was a Chilean painter and a founder of the Grupo Montparnasse.
The son of an Italian immigrant, Camilo Mori entered the "Escuela de Bellas Artes" (School of Fine Arts) at the University of Chile in 1914 and studied under masters Juan Francisco González, Richón Brunet and Alberto Valenzuela Llanos. In 1920, he was sent by the Chilean government to further his studies in Europe]
Over the next three years, Mori spent time in Rome and Paris. He joined the gathering of artists in the Montparnasse Quarter in Paris. There, his encounter with Pablo Picasso and Juan Gris greatly influenced his ideas of painting. However it was the influence of the works of Paul Cézanne that challenged Mori to move away from the Realism that marked his earlier work. He started experimenting with a variety of styles which later formed the basis of modern art. He exhibited in the Salon d'Automne of 1920 in Paris, where his "Circo de la Feria" received an honorable mention.
He returned to Chile and became one of the founding members of the Grupo Montparnasse, a key influence in the diffusion of the new European painting trends in Chile. In 1928 Camilo Mori was named director of the National Museum of Fine Arts (Spanish: Museo Nacional de Bellas Artes or MNBA). During his tenure in this post, he was responsible for many initiatives aimed at promoting art in Chile. In 1928, as an initiative to mitigate the closure of the School of Fine Arts, Mori was once again sent by the Chilean government to Europe, this time to direct the studies of a group of young painters known as the "Generation of 1928" (Spanish: Generacion del 28), which culminated in 26 of the most outstanding young Chilean artists being sent to study in Paris for five years.
Mori returned to Chile in 1933, where he accepted a position as professor of drawing and color at the Universidad de Chile, a post he retained for over 30 years. In 1937 he moved to the United States where he spent two years exploring some of the newest artistic trends of the time. He was placed in charge of supervising the decoration of, and created a mural for, the pavilion of Chile at the 1939 New York World's Fair.
For his contribution to Chilean art, in 1950 he received the National Prize of Art. His work was complex and multifaceted and moved through Post-Impressionism, Expressionism, Cubism and Surrealism, with the common trend among them being a prominent treatment of color.

Mario Sironi (May 12, 1885 – August 13, 1961) was an Italian Modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms.

Harold Joe Waldrum (August 23, 1934 – December 13, 2003) was an American artist whose abstract works depict color studies especially of the old adobe churches of Northern New Mexico. He also used a Polaroid SX-70 camera to photograph many of the churches, initially as part of the process in creating his paintings. However, this collection of thousands of photographs became a body of work in and of itself and was exhibited at several galleries and museums.
Before pursuing an artistic career, Waldrum graduated from Western State College and became a public school teacher in Kansas, where he taught music and art for a decade-and-a-half. After receiving a graduate degree from Fort Hays State College in 1970, he became a full-time painter, moving to New Mexico, the focal point of much of his work.
In the later part of his career, Waldrum endeavored to preserve the historic churches that were the inspiration for his paintings. In 1985, he founded an organization to promote this goal and produced a series of documentaries about the deterioration and ultimately demolition of the churches. In the 1980s and 90s, he collaborated with a few printmakers to create a collection of aquatint etchings and linocuts in a style very similar to his paintings.
Waldrum died on December 13, 2003, and he is buried in Columbus, New Mexico, a village near the Mexico–United States border. His works are held in the collections of the Museum of New Mexico, the Palm Springs Art Museum, the Albuquerque Museum, and the Harwood Foundation of Taos, New Mexico.

Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene Painting, as well as New York City, Boston and New Orleans Cityscapes. He was born in Lubbock, Texas on November 14, 1912.
According to a friend, Carl knew in his early teens he wanted art to be his path in life. But his father was not very amused by Carl’s interest and only bought him black and white oil paints. Perhaps this was his father’s attempt to discourage Carl. At the age of 16 Carl left home heading for San Diego, California. There he studied at the San Diego State College, and the Academy of Fine Arts (1932-1935) under Maurice Braun and Alfred R. Mitchell.
In the 1950s he organized art schools throughout California and was the Director at the Art center on Lombard street2 and oil painting instructor at Peninsula Arts & Crafts, School of Fine Arts in the mid-1950s.In the late 1950s Thorp moved to Louisiana where he lived part-time for most of his career and eventually died. According to the Biloxi Daily Herald March 22, 1970, Carl had a studio at 809 Bourbon St. in New Orleans.Carl frequently traveled up the coast to New York, and Massachusetts and many of his paintings contain subject matter from these locals.

Hildegard Anna Augusta Elisabeth Freiin[1] Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay (31 May 1890 – 27 September 1967), was an abstract artist in the early 20th century and co-founder and first director of the Solomon R. Guggenheim Museum. She was a key figure in advising Solomon R. Guggenheim to collect abstract art, a collection that would later form the basis of the Solomon R. Guggenheim Museum collection. She was also influential in selecting Frank Lloyd Wright to design the current Guggenheim museum, which is now known as a modernist icon in New York City.

Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light (Biva devoted great attention to light effects). The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour (Chevalier de la Légion d'Honneur).

Leon Jan Wyczółkowski (Polish: [vɨtʂuwˈkɔfskʲi]; 24 April 1852 – 27 December 1936) was one of the leading painters of the Young Poland movement, as well as the principal representative of Polish Realism in art of the Interbellum. From 1895 to 1911 he served as professor of the Jan Matejko Academy of Fine Arts (ASP) in Kraków, and from 1934, ASP in Warsaw. He was a founding member of the Society of Polish Artists "Sztuka" (Art, 1897).