Riccardo Tolentino was an Italian actor and film director of the silent era. He directed the 1917 Pushkin adaptation Wanda Warenine. In 1918, the same year of J. Searle Dawley's Uncle Tom's Cabin, he directed the Italian version La capanna dello zio Tom, with Paola Pezzaglia.
Jacques Perret was a French architect in the service of the Catholic King Henry IV of France. He was a Huguenot, from the Savoie.
In July 1601, he published a sequence of 22 plates, engraved by Thomas de Leu, and a textual commentary, Des Fortifications et Artifices Architecture et Perspective. Perret offered his work, a series of ideal city plans with fortifications, to the service of the king.
The plans themselves are unremarkable as descendants of the Italian Renaissance penchant for radially symmetrical city design (e.g. Filarete's Sforzinda); what makes Perret's work noteworthy is the compulsive ornamentation of the city walls with biblical quotes, particularly from the psalms. His closest French Protestant predecessor was Bernard Palissy, better known for his work in ceramics, who includes a similar city in an appendix to his 1563 Recette véritable, a garden based on the psalms. Perret's choice of texts also favors the psalms, reinforcing his identity as a Protestant. One statement that shows up repeatedly is, "In God alone is there repose and true happiness," implying that worldly fortifications are useless even against worldly dangers. Several inscriptions carry variations on the theme of the king as God's delegated punisher of evil and protector of the good, an idea with a personal stake for the Calvinist Perret in a Catholic and often hostile France.
B. Traven (German: [ˈbeː ˈtʁaːvn̩]; Bruno Traven in some accounts) was the pen name of a novelist, presumed to be German, whose real name, nationality, date and place of birth and details of biography are all subject to dispute. One certainty about Traven's life is that he lived for years in Mexico, where the majority of his fiction is also set—including The Treasure of the Sierra Madre (1927), the film adaptation of which won three Academy Awards in 1949.