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Albrecht Dürer (; German: [ˈʔalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.

Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three Meisterstiche (master prints) Knight, Death and the Devil (1513), Saint Jerome in his Study (1514), and Melencolia I (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised the potential of that medium.
Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions.

Cuno Amiet (28 March 1868 – 6 July 1961) was a Swiss painter, illustrator, graphic artist and sculptor. As the first Swiss painter to give precedence to colour in composition, he was a pioneer of modern art in Switzerland.

Gotthard Schuh (22 December 1897 – 29 December 1969) was a Swiss photographer, painter and graphic artist.

Johann Heinrich Wilhelm Tischbein, known as the Goethe Tischbein (15 February 1751 in Haina – 26 June 1829 in Eutin), was a German painter from the Tischbein family of artists.

Hans Leip (22 September 1893 – 6 June 1983), was a German novelist, poet and playwright, best remembered as the lyricist of Lili Marleen.
Leip was the son of a former sailor and harbour-worker at the port of Hamburg. He was educated there, and in 1914 became a teacher in the Hamburg suburb of Rothenburgsort. In 1915 he was called up by the German army and after training in Berlin served on the Eastern front and in the Carpathians. After being wounded in 1917 he was discharged on medical grounds.
He first had ambitions as an artist, but then turned to writing, although he illustrated his books himself. In the 1920s, he travelled extensively, to Paris, London, Algiers and New York City, among other places. His breakthrough as a novelist was with the success of Godekes Knecht, which was awarded the prize of the Kölnische Zeitung newspaper. His novels sold well in the years leading up to the outbreak of World War II, while he also wrote plays, short stories, poems, dramas and was also a painter and sculptor.

Martin Feuerstein (after 1914, Martin Ritter von Feuerstein; 6 January 1856, Barr - 13 February 1931, Munich) was a German painter and art teacher. He was a late adherent of the Nazarene movement, but was also heavily influenced by impressionism and Art Nouveau.

Helmar Lerski (18 February 1871, in Strasbourg – 19 September 1956, in Zürich) was a photographer who laid some of the important foundations of modern photography. His works are on display in the USA, Germany, Israel and Switzerland. He focused mainly on portraits and the technique of photography with mirrors.
His real name was Israel Schmuklerski. In 1876, the family moved to Zürich, Switzerland, where the family was naturalized. In 1888, Lerski emigrated to the United States, where he worked as an actor. Around 1910, he began to photograph. In 1915, he returned to Europe and worked as a cameraman and expert for special effects for many films, including Fritz Lang's Metropolis. At the end of the 1920s, he made a name as an avant-garde portrait photographer.
In 1932, he emigrated with his second wife to Mandate Palestine, where he continued to work as a photographer, cameraman, and film director. On 22 March 1948, they left what was by then Israel and settled again in Zürich.

Marcellin Gilbert Desboutin (Cérilly 26 August 1823 – 18 February 1902 Nice) was a French painter, printmaker, and writer. Desboutin always signed himself Baron de Rochefort.

Albrecht Samuel Anker (1 April 1831 – 16 July 1910) was a Swiss painter and illustrator who has been called the "national painter" of Switzerland because of his enduringly popular depictions of 19th-century Swiss social life.

Bernhard Hoetger (4 May 1874 in Dortmund – 18 July 1949 in Interlaken) was a German sculptor, painter and handicrafts artist of the Expressionist movement.