Articles with NGV identifiers

Emanuel Ungaro (13 February 1933 – 21 December 2019) was a French fashion designer who founded the fashion house called the House of Emanuel Ungaro in 1965.

Franco Moschino (27 February 1950 – 18 September 1994) was an Italian fashion designer who founded eponymous luxury Italian fashion house Moschino.

Giacomo Manzoni (22 December 1908 – 17 January 1991), known professionally as Giacomo Manzù, was an Italian sculptor.

Christian Marie Marc Lacroix (French pronunciation: [kʁistjɑ̃ lakʁwa]; born 16 May 1951) is a French fashion designer. The name may also refer to the company he founded.
Lacroix's designs combine luxury and insouciance. He prefers artisanal trades, fringe, bead, and embroidery. He's characterized by a strong sense of colour, and patterns mix.

Hans Hartung (21 September 1904 – 7 December 1989) was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur.

Henri-Joseph Harpignies (French pronunciation: [ɑ̃ʁi ʒɔzɛf aʁpiɲi]; June 28, 1819 – August 28, 1916) was a French landscape painter of the Barbizon school.

Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars.
A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions.
Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.

Charlotte Perriand (French pronunciation: [ʃaʁlɔt peʁjɑ̃]; 24 October 1903 – 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment."
Charlotte liked to take her time in a space before starting the design process. In Perriand's Autobiography, "Charlotte Perriand: A Life of Creation", she states: "I like being alone when I visit a country or historic site. I like being bathed in its atmosphere, feeling in direct contact with the place without the intrusion of a third party." Her approach to design includes taking in the site and appreciating it for what it is. Perriand felt she connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead.

Madeleine Vionnet (pronounced [ma.də.lɛn vjɔ.ne]; June 22, 1876, Loiret, France – March 2, 1975) was a French fashion designer. Vionnet trained in London before returning to France to establish her first fashion house in Paris in 1912. Although it was forced to close in 1914 at the outbreak of the First World War, it re-opened after the war and Vionnet became one of the leading designers of 1920s-30s Paris. Vionnet was forced to close her house in 1939 and retired in 1940.
Called the "Queen of the bias cut" and "the architect among dressmakers", Vionnet is best known today for her elegant Grecian-style dresses and for popularising the bias cut within the fashion world and is credited with inspiring a number of recent designers.

Bernard Buffet (French: [byfɛ]; 10 July 1928 – 4 October 1999) was a French painter, printmaker, and sculptor. An extremely prolific artist, he produced a varied and extensive body of work. His style was exclusively figurative and is often classified as Expressionist or "miserabilist".Buffet enjoyed worldwide popularity in the 1950s and was often compared to Pablo Picasso for his fame and talent. By the end of the 1950s, however, the public and art community turned strongly against him due to changing artistic tastes, Buffet's lavish lifestyle, and his extremely prolific output. The 21st century saw a renewed interest in his oeuvre.