Michel Goma (12 March 1932 – 18 April 2022) was a French fashion designer who was the creative director of Balenciaga from 1987 to 1992, after the label was relaunched following a 19-year closure.Goma was born on 12 March 1932 in Moncrabeau, Lot-et-Garonne.
Sir William Russell Flint (4 April 1880 – 30 December 1969) was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Johann Christian Reinhart (24 January 1761 – 9 June 1847) was a German painter and engraver. He was one of the founders, along with Joseph Anton Koch, of German romantic classical landscape painting.
Eduard Bargheer (25 December 1901 – 1 July 1979) was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Georges de Feure (real name Georges Joseph van Sluijters, 6 September 1868 – 26 November 1943) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles.
De Feure was born in Paris. His father was an affluent Dutch architect, and his mother was Belgian. De Feure had two sons, Jean Corneille and Pierre Louis, in the early 1890s with his mistress Pauline Domec and a daughter with his first wife Marguerite Guibert (married 7 July 1897).
In 1886, de Feure was one of the eleven students admitted at the Rijksacademie voor Beeldende Kunsten in Amsterdam, which he did however leave very quickly for Paris since he felt that formal academic training had nothing to offer him. Being of very independent nature, de Feure never again took up formal artistic studies, and forged his own independent path. He was however influenced by Jules Chéret in his posters for the café concert but most likely was never his pupil and became the key designer of Siegfried Bing for L'Art Nouveau.
He showed work in the Exposition Universelle de Paris exhibition in 1900. He designed furniture, worked for newspapers, created theater designs for Le Chat Noir cabaret and posters. In August 1901, de Feure was nominated Chevalier de la Légion d'honneur for his contribution to the decorative arts. He died in poverty at the age of 75 years in Paris.
Erich Salomon (28 April 1886 – 7 July 1944) was a German Jewish news photographer known for his pictures in the diplomatic and legal professions and the innovative methods he used to acquire them.
Kurt Badt (3 March 1890 in Berlin − 22 November 1973 in Überlingen) was a German art historian.
Pauline Trigère (November 4, 1908 – February 13, 2002) was a Franco-American couturière. Her award-winning styles reached their height of popularity in the United States during the 1950s and 1960s. Recognized early in her career as an innovator of cut and construction, Trigère brought to women of all ages all over the world such novelties as the jumpsuit, the sleeveless coat, the reversible cape and the embroidered sheer bodice. She reinvented ready-to-wear fashion, matching form to function with bold prints and architectural silhouettes to create a distinctly modern female aesthetic. Trigère's loyal clients included Grace Kelly, Jacqueline Kennedy Onassis, Elizabeth Taylor, Kay Wiebrecht, and Evelyn Lauder.
William Thomas Wiley (October 21, 1937 – April 25, 2021) was an American artist. His work spanned a broad range of media including drawing, painting, sculpture, film, performance, and pinball. At least some of Wiley's work has been referred to as funk art.
Ludwig Hirschfeld Mack (11 July 1893, in Frankfurt-am-Main – 7 January 1965, in Allambie Heights, in Sydney) was a German-born Australian artist.
His formative education was 1912–1914 at Debschitz art school in Munich. He studied at the Bauhaus from 1919–24 and remained working there until 1926 where, along with Kurt Schwerdtfeger, he further developed the Farblichtspiele ('coloured-light-plays'), which used a projection device to produced moving colours on a transparent screen accompanied by music composed by Hirschfeld Mack. It is now regarded as an early form of multimedia. He was a participant, along with the former Bauhaus master Gertrud Grunow, in den II. Kongreß für Farbe-Ton-Forschung (Hamburg 1. - 5. Oktober 1930) (English: Second Congress for Colour-Sound Research, Hamburg). In 1923 he participated in the prestigious film festival "Der Absolute Film in Berlin with other film producers such as Hans Richter Viking Eggeling, Walter Ruttmann, Fernand Léger. Francis Picabia and Renée Clair. Music and colour theory remained lifelong interests, informing his art work in a number of media, and it was the inspiration for his well-respected and influential teaching.