Articles with DBI identifiers

Marcello Boldrini (9 February 1890, in Matelica – 5 March 1969, in Milan) was an Italian statistician.

Tommaso Boggio (22 December 1877 – 25 May 1963) was an Italian mathematician. Boggio worked in mathematical physics, differential geometry, analysis, and financial mathematics. He was an invited speaker in International Congress of Mathematicians 1908 in Rome. He wrote, with Burali-Forti, Meccanica Razionale, published in 1921 by S. Lattes & Compagnia.

Renato Biasutti (San Daniele del Friuli, 22 March 1878 – Florence, 3 March 1965) was a notable Italian geographer, who published many works on physical anthropology.

Serafino Belfanti (March 28, 1860 – March 6, 1939) was an Italian immunologist, founder of the Istituto Sieroterapico Milanese, the first Italian medical and vaccine research institute.
He was born in Castelletto sopra Ticino, near Novara.
After graduating in medical sciences, he worked at the Pasteur Institute in Paris and later with Prof. Koch. In 1932 he was made an Italian senator honoris causa.He died in Milan in 1939.

Ricciotto Canudo (French: [kanydo]; 2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913 he published a bimonthly avant-garde magazine entitled Montjoie!, promoting Cubism in particular. Involved in numerous movements yet confined to none, Canudo exuded seemingly boundless energy. He ventured into poetry, penned novels (pioneering a style emphasizing interpersonal psychology, which he dubbed sinestismo), and established open-air theatre in southern France. As an art critic, he unearthed talents like Chagall, curating a Chagall exhibition in 1914. In that same year, alongside Blaise Cendrars, he issued a call for foreigners residing in France to enlist in the French army. Among the 80,000 who responded was Canudo himself.He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art, among others. Canudo subsequently added dance as a precursor to the sixth—a third rhythmic art with music and poetry—making cinema the seventh art.Canudo is often regarded as the inaugural aesthetician of cinema, thus making his "Manifesto" pertinent for an English-speaking readership. Several of Canudo's concepts found resonance with two prominent early French film experimenters—Jean Epstein and Abel Gance.

Valeria Valeri (born Valeria Tulli; 8 December 1921 – 11 June 2019) was an Italian actress and voice actress.

Odoardo Eugenio Giano Spadaro (16 January 1893 - 26 June 1965) was an Italian singer-songwriter and actor.

Franca Rame (18 July 1929 – 29 May 2013) was an Italian theatre actress, playwright and political activist. She was married to Nobel laureate playwright Dario Fo and is the mother of writer Jacopo Fo. Fo dedicated his Nobel Prize to her.

Paolo Poli (May 23, 1929 – March 25, 2016) was an Italian theatre actor. He has also acted in films and on television.

Marcella Pobbe (13 July 1921 - 17 June 2003) was an Italian operatic soprano who sang a wide range of roles in both the lyric and spinto repertory.Pobbe was born in Montegalda near Vicenza, where she studied with Elena Fava, and later entered the Rossini Conservatory in Pesaro, where she studied with Rinalda Pavoni. She also studied at the Accademia Chigiana in Siena with Giorgio Favaretto. She made her stage debut in Spoleto, as Gounod's Marguerite, in 1949, and the same year, first appeared at the Teatro San Carlo in Naples, where she was to appear regularly until 1973.
She made her debut at the Rome Opera in 1954, in the title role of Gluck's Iphigénie en Tauride, and at La Scala in 1955, as Bathseba in the premiere of Darius Milhaud's David. She appeared at the Baths of Caracalla in 1957, as Mathilde in Guglielmo Tell, and in 1959 as Elsa in Lohengrin. She also sang at most major opera houses in Italy, Venice, Parma, Bologna, Florence, Mantua, Palermo, etc., as well as on Italian radio and television.
On the international scene, she made guest appearances at the Monte Carlo Opera, the Zurich Opera, the Vienna State Opera, the Royal Opera House in London, the Liceo in Barcelona. In North America, she sang at the Philadelphia Opera and at the Metropolitan Opera in New York, for a few performances of Marguerite and Mimi during the 1958-59 season.
Her repertory also included; Agathe, Eva, Countess Almaviva, Micaela, Leonora, Maria, Amelia, Desdemona, Maddalena, Tosca, Adriana, Francesca, etc. She can be heard on record as Margherita in Boito's Mefistofele, opposite Ferruccio Tagliavini and Giulio Neri, and in two recitals of arias, which reveal a singer with a voice of considerable beauty and refinement. For Italian television in the 1950s, she appeared in several productions, notably Le nozze di Figaro, Un ballo in maschera and Adriana Lecouvreur, one of her most celebrated roles.
Pobbe went on performing until the late 1970s, and then became a music critic for Vicenza Gazzettino. In 2000, she published a series of interviews she had made with conductors. She died in Milan.