Seine-Saint-Denis

Thierry_Neuvic

Thierry Neuvic (born 3 August 1970) is a French actor. He has appeared in more than 50 films and television shows since 1996. He starred in the film Code Unknown, which was selected in the 2000 Cannes Film Festival.

Charles-Emile_Reynaud

Charles-Émile Reynaud (8 December 1844 – 9 January 1918) was a French inventor, responsible for the praxinoscope (an animation device patented in 1877 that improved on the zoetrope) and was responsible for the first projected animated films. His Pantomimes Lumineuses
premiered on 28 October 1892 in Paris. His Théâtre Optique film system, patented in 1888, is also notable as the first known instance of film perforations being used. The performances predated Auguste and Louis Lumière's first paid public screening of the cinematographe on 26 December 1895, often seen as the birth of cinema.

Norman_Thavaud

Norman Jacky Cyril Thavaud (French pronunciation: [nɔʁman ʒaki siʁil tavo]; born 14 April 1987) also known as the channel name Norman fait des vidéos (Norman makes videos), is a French comedian and blogger known for his short comic YouTube videos. Several of his videos have been viewed tens of millions of times.

Myriam_Lamare

Myriam Lamare (born 1 January 1975, in Saint-Denis) is a French female boxer who won world titles in the World Boxing Association (WBA), World Boxing Federation (WBF), and International Boxing Federation (IBF).

Henri_Decae

Henri Decaë (31 July 1915 – 7 March 1987) gained fame as a cinematographer entering the film industry as a sound engineer and sound editor. He was a photojournalist in the French army during World War II. After the war he began making documentary shorts, directing and photographing industrial and commercial films. In 1947 he made his first feature film.
Decaë is strongly associated with directors who strongly influenced, or were part of, the French New Wave. These include Jean-Pierre Melville, Louis Malle and Claude Chabrol. Decaë first worked as a cinematographer with Melville on Le Silence de la Mer (1949). Decaë also edited and mixed the sound. Although Decaë worked with Melville on Les enfants terribles, which as Williams commented (1992, p333) "...the work is more accurately to be viewed as a stunning demonstration of the cinematic possibilities of faithful literary adaptation in the hands of a gifted director", according to Marie (p 88) it was his distinctive camera work on Bob le flambeur which caught the attention of the Cahiers critics. Malle hired him for his first two features and Chabrol for his first three features. They had been lucky as Decaë was finding it hard to get work at that time as he was being informally shunned by many after participating in a critical film about the Korean War. By the time Decaë worked for François Truffaut on The 400 Blows he came with a reputation, which meant that he was the highest-paid person on the film.
Decaë's liking for natural light, his ability to work at speed as well as his excellent photographic sensibility led to him working with René Clément on several features beginning with Plein soleil (1960). It was Decaë "...who liberated the camera, from its fixed tripod. He made the New Wave possible, backing up Melville, Malle, Chabrol and Truffaut." (Marie, 2003 p 89)
For bibliographical references see bibliography under Cinema of France.

Fabrice_Tiozzo

Fabrice Tiozzo (born May 8, 1969) is a French former professional boxer who competed from 1988 to 2006. He is a world champion in two weight classes, having held the WBC light-heavyweight title from 1995 to 1997, the WBA cruiserweight title from 1997 to 2000, and the WBA light-heavyweight title from 2004 to 2006. He is the younger brother of former super middleweight world champion of boxing, Christophe Tiozzo.

Didier_Daurat

Didier Daurat (2 January 1891, Montreuil-sous-Bois – 2 December 1969, Toulouse) was a pioneer of French aviation. He was a fighter pilot during World War I, distinguishing himself by spotting the Paris Gun which was pounding Paris. After the war, he joined an airline company, which later became the Compagnie générale aéropostale - Aéropostale, then Air France, where he was a pilot and later operations director.
From then, the legend of the man with the iron will made him a boss admired by many, feared by all and hated by some. He did not hesitate to dismiss those who showed the slightest sign of weakness, questioned his methods or did not adhere to the 'spirit of the mail' (l'esprit du courrier).
Many of his pilots began their careers as grease monkeys, taking apart, cleaning and reassembling engines. According to Daurat, that formed character and taught pilots to respect their machines. However, he knew when he saw a talented pilot. When Jean Mermoz presented himself in Toulouse and made a dazzling display of piloting skill, Daurat told him, "I don't need circus artists but bus drivers." (Je n'ai pas besoin d'artistes de cirque mais de conducteurs d'autobus.) Nevertheless, he hired him to clean the engines.
These methods proved their worth because the Latécoère lines, and later Aéropostale, achieved a level of punctuality and reliability unknown for the time on the Toulouse-Saint-Louis-du-Sénégal route, and later from Toulouse-Santiago, Chile, Chile with a crossing of the South Atlantic and the Andes.

When Aéropostale was integrated with Air France in 1933, Daurat, friendless, was dismissed.
In 1935, he founded the Air Bleu company, which transported mail throughout France by day as well as by night. Results were remarkable, but the company was militarised with the declaration of war, in 1939.
Following the Liberation of France, he relaunched the night postal service before becoming operations chief for Air France at Orly, which until his retirement, in 1953.
He died in Toulouse in 1969. At his request, he was granted the honour of being buried on the Toulouse-Montaudran Airport, the former base of Aéropostale.
Antoine de Saint-Exupéry took inspiration from him for the character of Rivière in Night Flight (Vol de nuit, 1931).