Grand Crosses with Star and Sash of the Order of Merit of the Federal Republic of Germany

Ernst Jünger (German pronunciation: [ɛʁnst ˈjʏŋɐ]; 29 March 1895 – 17 February 1998) was a German author, highly decorated soldier, philosopher, and entomologist who became publicly known for his World War I memoir Storm of Steel.
The son of a successful businessman and chemist, Jünger rebelled against an affluent upbringing and sought adventure in the Wandervogel German youth movement, before running away to briefly serve in the French Foreign Legion, which was an illegal act in Germany. However, he escaped prosecution due to his father's efforts and was able to enlist in the German Army on the outbreak of World War I in 1914. During an ill-fated offensive in 1918 Jünger was badly wounded and was awarded the Pour le Mérite, a rare decoration for one of his rank.
He wrote against liberal values, democracy, and the Weimar Republic, but rejected the advances of the Nazis who were rising to power. During World War II Jünger served as an army captain in occupied Paris, but by 1943 he had turned decisively against Nazi totalitarianism, a change manifested in his work "Der Friede" (The Peace). Jünger was dismissed from the army in 1944 after he was indirectly implicated with fellow officers who had plotted to kill Hitler. A few months later, his son died in combat in Italy after having been sentenced to a penal battalion for political reasons.After the war, Jünger was treated with some suspicion as a possible fellow traveller of the Nazis. By the later stages of the Cold War, his unorthodox writings about the impact of materialism in modern society were widely seen as conservative rather than radical nationalist, and his philosophical works came to be highly regarded in mainstream German circles. Jünger ended life as an honoured literary figure, although critics continued to charge him with the glorification of war as a transcendental experience in some of his early works. He was an ardent militarist and one of the most complex and contradictory figures in 20th-century German literature.

Jozef P. A. "Jos" Chabert (16 March 1933 – 9 April 2014) was a Belgian politician born in Etterbeek. He lived the majority of his live in Meise, Belgium. Chabert died on 9 April 2014 in Brussels.

Hans-Heinrich Herwarth von Bittenfeld (14 July 1904 – 21 August 1999), also known as Johnnie or Johann von Herwarth, was a German diplomat who provided the Allies with information prior to and during the Second World War.

Gerhard Marcks (18 February 1889 – 13 November 1981) was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics.

Wolf Graf von Baudissin (8 May 1907 – 5 June 1993) was a German general, military planner and peace researcher. He was one of the developers of the concepts of Innere Führung (officially translated as "leadership development and civic education") and Staatsbürger in Uniform ("citizens in uniform"), the two lead concepts of the modern German Bundeswehr.

Christian Broda (born 12 March 1916 in Vienna, died 1 February 1987 in Vienna) was an Austrian lawyer and politician of the Social Democratic Party of Austria. He served as Minister of Justice of Austria from 1960 to 1966 in the third cabinet of Julius Raab, and again as Minister of Justice in the cabinet of Bruno Kreisky from 1970 to 1983. He was awarded the European Human Rights Prize of the Council of Europe in 1986.

Christine Teusch (11 October 1888, Cologne, Rhine Province – 24 October 1968) was a German politician of the Zentrumspartei ("Centre Party") and the Christian Democratic Union.
From 1947 to 1954 Teusch was Minister of Education of the German state of North Rhine-Westphalia, having been the first female minister in German history.
She is credited with rebuilding the German education system after the Second World War.

Ramón Menéndez Pidal (Spanish pronunciation: [raˈmom meˈnendeθ piˈðal]; 13 March 1869 – 14 November 1968) was a Spanish philologist and historian. He worked extensively on the history of the Spanish language and Spanish folklore and folk poetry. One of his main topics was the history and legend of El Cid. He was nominated for the Nobel Prize in 26 separate years, the most nominations of any other person.

Eduard Spranger (27 June 1882 – 17 September 1963) was a German philosopher and psychologist. A student of Wilhelm Dilthey, Spranger was born in Berlin and died in Tübingen. He was considered a humanist who developed a philosophical pedagogy as an act of 'self defense' against the psychology-oriented experimental theory of the times.Spranger was the author of the book Lebensformen (Translated as Types of Men), which sold 28,000 copies by the end of 1920. Spranger theorizes that types of human life are structures in consciousness. His belief was that personality types have a basis in biology, but can not be fully explained by biology. He wrote, "On a lower level, perhaps, the soul is purely biologically determined. On a higher level, the historical, for instance, the soul participates in objective values which cannot be deduced from the simple value of self-preservation." He criticized psychologists who reduced the psyche and society to abstract elements of science. Another characteristic of Spranger's thought is his interest in holism, which involves the discovery that "everything is part of everything else," and that the "totality of mind is present in every act." He asserts that quantitative calculations of sensations, reflexes, and citations from memory are meaningless units, that when synthesized, do not add up to the meaningful whole that we all live.

Karl Münchinger (29 May 1915 – 13 March 1990) was a German conductor of European classical music. He helped to revive the now-ubiquitous Canon in D by Johann Pachelbel, through recording it with his Stuttgart Chamber Orchestra in 1960. (Jean-François Paillard made a rival, and also very popular, recording of the same piece at around the same time.) Münchinger is also noted for restoring baroque traditions to the interpretation of Bach's oeuvre, his greatest musical love — moderate-sized forces, judicious ornamentation, and rhythmic sprightliness, though not on "period instruments".
Born in Stuttgart, Münchinger studied at the Hochschule für Musik in his home city. At first, he guest-conducted often, supporting himself also with other duties as an organist and church choir director. In 1941, he became principal conductor of the Hanover Symphony, a post he held for the next two years. He held no other conducting position until the end of World War II.
The year that the war ended, he founded the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra), which he built into an impressive touring ensemble; it made its Paris debut in 1949 and its American debut in San Francisco in 1953. Under his leadership the orchestra issued (for the Decca label) numerous recordings, mostly during the 1950s and 1960s, and mostly of Bach's output; these included the Brandenburg Concertos (three times), the orchestral suites, the St. Matthew Passion, the St. John Passion, The Musical Offering, and the Christmas Oratorio. Of his and the ensemble's non-Bach releases, probably the best — and certainly the most famous, other than the Pachelbel performance mentioned earlier — is that of Haydn's The Creation.
In 1977, the Stuttgart Chamber Orchestra became the first German ensemble to visit the People's Republic of China. Münchinger retired in 1988, two years before his death.
Stylistically, Münchinger's approach with his orchestra was rather similar to those of his somewhat younger contemporaries Raymond Leppard, Sir Neville Marriner, Claudio Scimone, and the above-mentioned Paillard, though displaying an extra element of tonal solidity — not to mention a fierce rigor during rehearsals as well as performances — which might be considered Teutonic. With the increased fashionability of 18th-century instruments, from the 1970s onward, Münchinger's interpretations fell dramatically from critical favor and were often dismissed as "passé", though he always showed himself to be a fine, tough, disciplined, and sensitive musician. There have been more profoundly imaginative German conductors than Münchinger, but there have been very few who matched his consistently high standards.