Vocation : Art : Fine art artist

Harold Jon "Jack" Hicks was a sculptor, who worked in the later part of the twentieth century. He was trained in ceramics and photography but excelled in metal sculpture.

Jean-Baptiste Fresez (1800–1867) was Luxembourg's most important 19th-century painter. He is remembered above all for his almost photographic images of the City of Luxembourg.

Gene Zesch is an American sculptor, who gained national recognition in the 1960s when prominent figures such as Lyndon B. Johnson and John Connally started collecting his woodcarvings. Born in 1932, he grew up on a Texas ranch in Mason County and also ranched in Durango, Mexico.
Mr. Zesch started working as an artist in 1954 and has made a living out of carving caricature figurines of Texas cowboys and cattlemen. The characteristic expression of the subjects of his work is an eyed rolling resignation. He still lives in Mason County on his family ranch. He hand paints bronze castings of his more notable carvings and sells signed prints of photos of his work. Mr. Zesch's work has been featured in one-man shows at the National Cowboy & Western Heritage Museum (2005), the Institute of Texan Cultures (1988), the Witte Museum (1967), and the Forsyth Gallery at his alma mater, Texas A&M University (1997). His work has also been displayed in special exhibits at the Smithsonian Institution’s National Portrait Gallery (United States) (1993), the Museum of Western Art (2004), and HemisFair '68 (1968).

André Willequet (3 January 1921 – 1 July 1998) was a Belgian abstract sculptor.

Victor Servranckx (26 June 1897 – 11 December 1965) was a Belgian abstract painter and designer.
Servranckx was born in Diegem (Machelen) and studied from 1913 to 1917 at the Brussels Royal Academy of Fine Arts in Brussels. There, in 1916, he met René Magritte, with whom he wrote "Pure Art: A Defence of the Aesthetic" in 1922. Servranckx's style was influenced by cubism, constructivism, and surrealism. He died in Vilvoorde.

Jean Brusselmans (1884-1953) was a Belgian painter. He developed his own style and, whereas he is often considered a representative of Flemish Expressionism, he refused to associate himself with any art movement. He was not very well known during his life, and had difficulties selling his work, but posthumously he was recognized as one of important Belgian painters of the 20th century.