Vocation : Art : Fine art artist

Manuel Cabré (January 25, 1890 – February 26, 1984) was a noted Spanish-Venezuelan landscape painter who is remembered as "the painter of El Ávila" (Spanish: El pintor de El Ávila).

Francisco José Domingo y Marqués (12 March 1842 – 22 July 1920) was a Spanish painter in the Eclectic style.

José Guadalupe Posada Aguilar (2 February 1852 – 20 January 1913) was a Mexican political lithographer who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement. He used skulls, calaveras, and bones to convey political and cultural critiques.
Among his most enduring works is La Calavera Catrina.

Hugo Consuegra (born Hugo Consuegra Sosa October 26, 1929 in Havana, Cuba – January 24th 2003 in New York City, New York) was a Cuban-born artist and architect who, in 1953, became one of the founding members of Los Once (The Eleven), a group of young abstract expressionist artists which included the core members Guido Llinás, Raul Martinez, Tomás Oliva and Antonio Vidal. The group broke away from the representational style prevalent at the time in Cuba and produced its largest volume of work between 1953 and 1955. Consuegra and four of the original 11 continued to exhibit in what became known as the post-revolutionary avant-garde movement in Cuba. Consuegra was also a Professor of Art History at Havana University’s School of Architecture (1960–5).
His first solo exhibition was held in 1953 at the Lyceum in Havana. As part of Los Once (The Eleven), Consuegra was instrumental in introducing abstract expressionism to Cuba. His award-winning artwork was widely exhibited in Cuba and internationally until he received political asylum in Spain in 1967. He moved to New York three years later continuing his painting, drawing and engraving career. He became an American citizen in 1975.
Throughout his career, Consuegra widely exhibited his work in such cities as: Havana, New York, Paris, Cadiz (Spain), and Sao Paulo, among others. His work is part of major collections including Casa de las Américas (Havana), Cintas Foundation (New York), Museo Nacional de Bellas Artes (Havana), Art Museum of the Americas (Washington D.C.), and the Rodríguez Collection (Miami), among others. He was awarded the Cintas Foundation Fellowship.Edmundo Desnoes’ 1961 essay invites us to consider the artist’s impact: “The paintings of Hugo Consuegra always give us the impression of having penetrated into an occult world: of having descended into an underworld or of stumbling onto the private life of an unknown family. His paintings always produce a subjective effect. His burnished blues, his tanned browns, his nightmare landscapes with black skies and desolated countrysides, belong to the world of the inner personality. There are areas in which color concentrates and seems to form thick drops, and other places in which it evaporates or is forgotten. His canvases are always resolved in genuine good taste.”

Louis-Oscar Roty usually known as Oscar Roty (11 June 1846 – 23 March 1911) was one of the most celebrated medallists of the Art Nouveau period.

Gabriel-Jules Thomas (10 September 1824 – 8 March 1905) was a French sculptor, born in Paris.
Thomas attended the École des Beaux-Arts and in 1848 he won the Prix de Rome in the sculpture category with his Philoctète partant pour le siège de Troie ("Philoctetes Leaves for the Siege of Troy") in plaster. This piece was briefly displayed in New York City at the Dahesh Museum of Art for their 2005–2006 exhibition entitled "The Legacy of Homer." It is normally kept at the Ecole Nationale Supérieure des Beaux-Arts in Paris.
He later taught at the Ecole. Among his students were Gaston Lachaise.and American sculptor, August Zeller.

Marie Adrien Persac (1823–1873) was a French-born American fine art painter, cartographer, photographer, and art teacher. Persac watercolored south Louisiana plantation houses and other aspects of the Southern landscape, and his work has much importance to Southern historians. His work was often signed, A. Persac.

Maurice Marinot (born 20 March 1882 in Troyes, France, died 1960, Troyes) was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.
Marinot's father was a bonnet maker. Maurice did poorly in school, but convinced his parents to send him to the École des Beaux-Arts in 1901 to train as a painter under French painter, Fernand Cormon. He left art school after his work wasn't accepted by the standards of the day. In 1905 he returned to Troyes, where he stayed for the rest of his life.
In 1911 he visited his first glass shop, owned by his friends, the Viard brothers. He fell in love with the contrasts between colors, hot and cold, the play of light and fire. He began designing bowls, vases and bottles which his friends made, then he painted enamels on the surface.
In 1912 he had his first exhibition and by 1913 critics were praising his work, saying “It has been a long time since an innovation of such great importance has come to enrich the art of glass” (Leon Rosenthal, Gazette des Beaux-Arts, 1913). From that year he stopped exhibiting his paintings.
The Viard brothers give Marinot his own bench and a set of tools, so he learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf, and colored glass. His production process was “Long and fraught with danger” and one piece could take as long as a year to reach his standards.
The Viard Glassworks closed in 1937. Marinot was ill, and never touched glass again, though he did continue to paint. In the 1944 Allied bombing of Troyes there was direct hit on his studio, destroying over 2,500 paintings, thousands of drawings, and much of his glass. His sister's extensive collection was not damaged.
Major donation of Maurice Marinot (glass and paintings) was made by Pierre and Denise Levy to the Museum of Modern Art in Troyes in 1976. Florence, Marinot's daughter also gave major Maurice Marinot pieces of art to the city of Rennes Museum of Art.
A 20 piece glass collection by Marinot including vases, goblets and stoppered bottles dating to 1926-27 was gifted to the National Gallery of Ireland in 1970.