Vocation : Art : Fine art artist

Władysław Czachórski (22 September 1850 – 13 January 1911) was a Polish painter in the Academic style.

Henryk Jerzy Chmielewski (7 June 1923 – 22 January 2021), also known under his pseudonym Papcio Chmiel, was a Polish comic book artist and journalist.
During World War II, Chmielewski served in the Home Army and took part in the Warsaw Uprising. After the war, he started working as a graphic artist in the Świat Młodych magazine, where he also published comics. Since the debut of his first Tytus, Romek i A'Tomek comic book in 1966, he focused his career almost entirely on this series, telling the story of Tytus de Zoo, an anthropomorphic, talking chimpanzee who wants to become a human. The last, thirty first book of the main series was published in 2008, but Chmielewski continued to create other works, such as artbooks, with his characters.
Chmielewski's comics are known for the use of absurdist humour, puns and word plays. Aimed at children and teenagers, with the goal of being both entertaining and educational, his works often explore history (especially history of Poland), science, art or have the characters trying different professions.

Józef Marian Chełmoński (November 7, 1849 – April 6, 1914) was a Polish painter of the realist school with roots in the historical and social context of the late Romantic period in partitioned Poland. He is famous for monumental paintings now at the Sukiennice National Art Gallery in Kraków and at the MNW in Warsaw.

Paweł Bryliński (21 June 1814 in Wieruszów – 18 April 1890 in Masanów) was a Polish folk-sculptor. He is perhaps best known for a series of works concerning Holy Week.

Pierre Richard-Willm (3 November 1895 – 12 April 1983) was a French stage and film actor during the 1930s and 1940s.

Erminio Spalla (7 July 1897 – 14 August 1971) was an Italian professional heavyweight boxer, film actor and singer.
Spalla studied fine arts in Brera, when in 1910 he saw film footage of the world boxing championships and decided to become a professional boxer.
He was the first Italian to win a European boxing title, which he did in 1923. He lost it in 1926 to Paulino Uzcudun and retired from boxing the next year, though he briefly returned to the ring in 1934 and won all three of his final bouts. He returned to art after retiring from the ring.
In October 1937 he debuted as an opera singer in Nel Trovatore in Turin. In the same year he also worked in sculpture and painting.
In 1939 he acted in his first film, Io, suo padre by Mario Bonnard. This was followed by over fifty films and television series, including the war film Giarabub (1942). His last film was I fratelli Karamazov by Sandro Bolchi (1969).His elder brother Giuseppe was also a boxer.

Étienne Marin Mélingue (1807–1875) was a French actor, sculptor and painter.
He was born in Caen, the son of a volunteer of 1792, He early went to Paris and obtained work as a sculptor on the church of the Madeleine, but his passion for the stage soon led him to join a strolling company of comedians. Finally chance gave him an opportunity to show his talents, and at the Porte Saint Martin he became the popular interpreter of romantic drama of the type popularized by Alexandre Dumas, père.One of his greatest successes was as Benvenuto Cellini, in which he displayed his ability both as an actor and as a sculptor, really modelling before the eyes of the audience a statue of Hebe. He sent a number of statuettes to the various exhibitions, notably one of Gilbert Louis Duprez as William Tell. Mélingue's wife, Théodorine Thiesset (1813–1886), was the actress selected by Victor Hugo to create the part of Guanhumara in Burgraves at the Comédie-Française, where she remained ten years. He created the part of D'Artagnan in The Youth of The Musketeers and The Musketeer (a dramatization of 20 Years After by Dumas) and also the part of Lagardere in Feval and Anciet-Bourgeois's Hunchback.

Librado Net Pérez (1895-1964) was a Puerto Rican musician, educator and painter from Ponce, Puerto Rico. He was the first director of the Escuela Libre de Música de Ponce, considered the best of Puerto Rico's free Music Schools at the time. He directed the school from the early 1950s and continuing until just prior to his death in 1964.