Articles with RISM identifiers

André Gaston Baugé (4 January 1893, Toulouse - 25 May 1966, Clichy-la-Garenne) was a French baritone, active in opera and operetta, who also appeared in films in the 1930s.

Louis van Waefelghem (13 January 1840, in Bruges – 19 June 1908, in Paris) was a Belgian violinist, violist and one of the greatest viola d'amore players of the 19th century. He also composed several works and made transcriptions for viola and viola d'amore.
Waefelghem was educated at the Athénée Royal in Bruges and then studied violin with Lambert Joseph Meerts at the Koninklijk Conservatorium in Brussels. After finding success as a violinist in Germany and at the Opera House in Budapest, he moved to Paris in 1863 to pursue a career as a performer on viola and viola d'amore. He played in the orchestra of the Paris Opera in 1868 and also in the Pasdeloup Orchestra. Waefelghem was Examiner of the Viola at the Conservatoire de Paris before Théophile Laforge was appointed the first Professor of Viola in 1894. His reputation as a gifted violist quickly spread and, after the Franco-Prussian War (1870–1871), he traveled to London where he played in the Royal Opera orchestra and at chamber concerts of the Musical Union with Joseph Joachim, Leopold Auer, Henri Vieuxtemps, Camillo Sivori, Pablo de Sarasate, and others. From 1875 he was the violist of the Quatuor Marsick, along with Guillaume Rémy, Jules Delsart and founder Martin Pierre Marsick, one of the best and most famous string quartets in Paris of the time. He also a member of the Quatuor Geloso and of Ovide Musin's quartet with Metzger and Vander Gucht. Waefelghem was the principal violist with the Orchestre Lamoureux from 1881 to 1895.
In 1895 Waefelghem, along with colleagues Laurent Grillet (hurdy-gurdy), Louis Diémer (harpsichord) and Jules Delsart (viola da gamba), founded the Société des Instruments Anciens. The ensemble gave their début at the Salle Pleyel in Paris on 2 May 1895 and performed throughout Europe with great success. Thereafter Waefelghem devoted himself entirely to the revival and study of the viola d'amore. He quickly became one of the greatest viola d'amore players of the 19th century, and being a highly enthusiastic researcher, restored to the world the complete library of music for the instrument which had sunk into oblivion.

Richard (or Rijk) Hol (23 July 1825, in Amsterdam – 14 May 1904, in Utrecht) was a Dutch composer and conductor, based for most of his career at Utrecht. His conservative music showed the influence of Ludwig van Beethoven, Felix Mendelssohn, and Robert Schumann and the Leipzig school, though as a conductor he offered Dutch audiences the more revolutionary music of Hector Berlioz and Richard Wagner.

Anna Amalia of Brunswick-Wolfenbüttel (24 October 1739 – 10 April 1807), was a German princess and composer. She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of Germany.

Ida Marie Lipsius (30 December 1837 in Leipzig – 2 March 1927 in Schmölen), alias La Mara, was a German writer and music historian.

Ilse von Stach (originally Stach von Goltzheim) (17 February 1879 – 22 August 1941) was a German writer.

Louise Otto-Peters (26 March 1819, Meissen – 13 March 1895, Leipzig) was a German suffragist and women's rights movement activist who wrote novels, poetry, essays, and libretti. She wrote for Der Wandelstern [The Wandering Star] and Sächsische Vaterlandsblätter [Saxon Fatherland Pages], and founded Frauen-Zeitung and Neue Bahnen specifically for women.: 181  She is best known as the founder in 1865 of the General German Women's Association (Allgemeiner Deutscher Frauenverein).: 1 

Émile Souvestre (April 15, 1806 – July 5, 1854) was a Breton novelist who was a native of Morlaix, Brittany. Initially unsuccessful as a writer of drama, he fared better as a novelist (he wrote a sci-fi novel, Le Monde Tel Qu'il Sera) and as a researcher and writer of Breton folklore. He was posthumously awarded the Prix Lambert.

François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's Médée, 1797).

Karl/Carl Wendling ([ventling]) (10 August 1875, Strasbourg – 27 March 1962, Stuttgart) was a German violinist and musical educator.
He studied in his hometown with Heinrich Schuster and Florián Zajíc, and later in Berlin with Carl Halir and Joseph Joachim. From 1902 on he was concertmaster at the Bayreuth Festival. In 1907 and 1908, he was concertmaster with the Boston Symphony Orchestra under Karl Muck. He had his own string quartet, "The Wendling Quartet". From 1909 on, he was a teacher at the Royal Stuttgart Conservatory, where he became director in 1929.