Hans Adolf Eduard Driesch (28 October 1867 – 17 April 1941) was a German biologist and philosopher from Bad Kreuznach. He is most noted for his early experimental work in embryology and for his neo-vitalist philosophy of entelechy. He has also been credited with performing the first artificial 'cloning' of an animal in the 1880s, although this claim is dependent on how one defines cloning.
Juliette Adam (French pronunciation: [ʒyljɛt adɑ̃] ; née Lambert; 4 October 1836 – 23 August 1936) was a French author and feminist.
Tristan Klingsor, birth name (Arthur Justin) Léon Leclère (born Lachapelle-aux-Pots, Oise department, 8 August 1874; died Nogent-sur-Marne, 3 August 1966), was a French poet, musician, painter and art critic, best known for his artistic association with the composer Maurice Ravel.
His pseudonym, combining the names of Wagner's hero Tristan (from Tristan und Isolde) and his (Wagner's) villain Klingsor (from Parsifal), indicates one aspect of his artistic interests, though he said that he chose the names because he liked the "sounds" they made, the associations with Arthurian and Breton legends he had read as a child, and that there were already too many literary men in Paris with the surname Leclère. Some of his "orientalist" poems are addressed to a mysterious "jeune étranger," possibly symbolising his gay orientation, although he did marry in 1903, and had a daughter two years later. His first collection, Filles-fleurs (1895), was in eleven-syllable verse. After this he often used a personal form of free verse. He was a member of the Fantaisiste group of French poets. Certain of his poems were set to music by composers including Charles Koechlin, Georges Hüe and Georges Migot, and he is best remembered as providing the texts for Ravel’s song cycle Shéhérazade (1903). He and Ravel belonged to the Paris avant-garde artistic group known as Les Apaches for whose meetings he was sometimes the host. He recorded his long acquaintance with the composer in an essay, "L'Époque Ravel". Ravel dedicated the first of his Trois Chansons to him in 1915.
Klingsor was also a painter (exhibiting from 1905 at the Salon d'Automne and being awarded the Prix Puvis de Chavannes in 1952). His visual art was reviewed twice by Guillaume Apollinaire: In 1906, he called Klingsor's attempts "Merde!" but in 1908, he was kinder, stating: "Klingsor animates his painting with the same sentimental delicacy that gives his poetry its somewhat contrived, dated charm. For my part, I prefer the poet to the painter.” He was also the author of several studies on art, and a composer in his own right, with several collections of melodies, four-part songs, and piano music.
Louis Hémon (12 October 1880 – 8 July 1913), was a French writer, best known for his novel Maria Chapdelaine.
Gustave Geffroy (1 June 1855 – 4 April 1926) was a French journalist, art critic, historian and novelist. He was one of the ten founding members of the literary organisation Académie Goncourt in 1900.
Geffroy is noted as one of the first historians of the Impressionist art movement with his publication of Histoire de l'impressionnisme in 1892. He knew and championed Monet, whom he met in 1886 in Belle-Île-en-Mer while travelling for research on prisons of the Second Empire. Monet introduced him to Cézanne, who painted his portrait in 1895.
He contributed to the newspaper La Justice from 15 January 1880, and came to know its founder, Georges Clemenceau, who in 1908 appointed him director of the Gobelins tapestry factory, a position he held until his death.
Geffroy was born and died in Paris; he is interred at the Cimetière de Montrouge. A street in Paris's 13th arrondissement, close to the Gobelins Manufactory, bears his name.
Marceline Desbordes-Valmore (20 June 1786 – 23 July 1859) was a French poet and novelist.
She was born in Douai. Following the French Revolution, her father's business was ruined, and she traveled with her mother to Guadeloupe in search of financial help from a distant relative. Marceline's mother died of yellow fever there, and the young girl somehow made her way back to France. At age 16, back in Douai, she began a career on stage. In 1817 she married her husband, the "second-rate" actor Prosper Lanchantin-Valmore.She published Élégies et Romances, her first poetic work, in 1819. In 1821 she published the narrative work Veillées des Antilles. It includes the novella Sarah, a contribution to the genre of slave stories in France.Marceline appeared as an actress and singer in Douai, Rouen, the Opéra-Comique in Paris, and the Théâtre de la Monnaie in Brussels, where she notably played Rosine in Beaumarchais's Le Barbier de Séville. She retired from the stage in 1823. She later became friends with the novelist Honoré de Balzac, and he once wrote that she was an inspiration for the title character of La Cousine Bette.The publication of her innovative volume of elegies in 1819 marks her as one of the founders of French Romantic poetry. Her poetry is also known for taking on dark and depressing themes, which reflects her troubled life. She is the only female writer included in the famous Les Poètes maudits anthology published by Paul Verlaine in 1884. A volume of her poetry was among the books in Friedrich Nietzsche's library.
Tristan Corbière (18 July 1845 – 1 March 1875), born Édouard-Joachim Corbière, was a French poet born in Coat-Congar, Ploujean (now part of Morlaix) in Brittany, where he lived most of his life before dying of tuberculosis at the age of 29. He was a French poet, close to Symbolism, and a figure of the "cursed poet".He is the author of a single collection of poetry Les Amours Jaunes, and of a few prose pieces. He led a mostly marginal and miserable life, nourished by two major failures due to his bone disease and his "ugliness" which he enjoyed accusing: the first is his sentimental life (he only loved one woman, called "Marcelle" in his work), and the second being his passion for the sea (he dreamt of becoming a sailor, like his father, Édouard Corbière). His poetry carries these two great wounds which led him to adopt a very cynical and incisive style, towards himself as much towards the life and world around him.
He died at the age of 29, possibly from tuberculosis, a childless bachelor with no work, entrenched in his old Breton manor, misunderstood by his contemporaries, and his innovative poetry was not recognised until well after his death.
Émile Bergerat (29 April 1845 – 13 October 1923) was a French poet, playwright and essayist. He used the pseudonyms l'Homme masqué (the masked man), Caliban and Ariel (the latter two drawn from The Tempest by William Shakespeare). A library in Neuilly-sur-Seine opposite his flat bears his name.
Carl Jacob Christoph Burckhardt (25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. He is known as one of the major progenitors of cultural history. Sigfried Giedion described Burckhardt's achievement in the following terms: "The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well."His best known work is The Civilization of the Renaissance in Italy (1860).
