Louis Robert (15 February 1904 in Laurière – 31 May 1985 in Paris) was a professor of Greek history and Epigraphy at the Collège de France, and author of many volumes and articles on Greek epigraphy (from the archaic period to Late Antiquity), numismatics, and historical geography. He was an international authority on the history, geography, toponymy and archaeology of ancient Asia Minor.
Claude Perdriel (born 25 October 1926) is owner-manager of the Perdriel Group that publishes Sciences et Avenir, Challenges, Rue89 and during 1970–1980, the Paris daily Le Matin de Paris. It also published Le Nouvel Observateur from its foundation in 1964 to 2014 when it was sold to a group of investors that already published Le Monde.
Michel Laclotte (Saint Malo, France, 27 October 1929 – Montauban, 10 August 2021) was a French art historian and museum director, specialising in 14th and 15th century Italian and French painting.
José María Gironella Pous, known in Catalan as Josep Maria Gironella i Pous (31 December 1917 in Darnius – 3 January 2003 in Arenys de Mar) was a Catalonian Spanish author best known for his fictional work The Cypresses Believe in God (Los cipreses creen en Dios), which was published in Spain in 1953 and translated into English in 1955 by Harriet de Onís (1899-1969), a translator who usually specialized in Latin-American fiction.
Carlos Arniches Barreda (11 October 1866 – 16 April 1943) was a Spanish playwright, born in Alicante. His prolific work, drawing on the traditions of the género chico, the zarzuela and the grotesque, came to dominate the Spanish comic theatre in the early twentieth century.
After starting his career as a novelist and journalist, Arniches turned to theatre in 1888 with the publication of his first play, Casa editorial. Much of his work is set in lower-class Madrid and uses colloquial language, song, dance and music.Arniches was complimented in a 1935 interview by Federico García Lorca, often a scathing critic of contemporary Spanish theatre, as 'more of a poet than almost any of those who are writing theatre in verse at the moment'.Following the end of the Spanish Civil War, the social dramas of Carlos Arniches were among the relatively non-controversial plays allowed by the new government.
Maximilien Vox (real name: Samuel William Théodore Monod) was a French writer, cartoonist, illustrator, publisher, journalist, critic art theorist and historian of the French letter and typography.He was born on 16 December 1894 in Condé-sur-Noireau in Calvados, where his father was a minister, and educated at the Corneille school in Rouen.
In 1914 he published his humorous cartoons in L'Humanité, Floréal and La Guerre Sociale and became editor of Le Mot, the review produced by Paul Iribe. Most of his cartoons were signed Sam Monod or Esmono. Monod adopted a number of aliases before settling on Maximilien Vox. After getting married he went to Paris to learn typography, and in 1926 was awarded the Prix Blumenthal, worth 20,000 Francs, for a series of 24 book covers.
During the Second World War he worked as a department head for the Ministry of Information, whilst at the same time continuing his editorial activities. In 1942 he founded The Union Bibliophile de France, which published artworks.
After the war he concentrated on typography and created in 1949 the professional magazine Characters, which he edited until 1964. He created the VOX-ATypI classification of type characters.In 1952 he moved to Lurs to live in a house he called Monodière and founded Rencontres internationales de Lure. He died there on 18 December 1974 and was buried in Lurs. He had married Eliane Poulain in 1917 and had five sons.
Jules Vallès (11 June 1832 – 14 February 1885) was a French journalist, author, and left-wing political activist.
Vladimir Solomonovich Pozner (Russian: Влади́мир Соломо́нович По́знер; 5 January 1905 in Paris – 19 February 1992 in Paris) was a French writer and translator of Russian-Jewish descent. His family fled the pogroms to take up residence in France. Pozner expanded on his inherited cultural socialism to associate both in writing and politics with anti-fascist and communist groups in the inter-war period. His writing was important because he made friends with internationally renowned exponents of hardline communism, while rejecting Soviet oppression.
Pedro Antonio de Alarcón y Ariza (10 March 1833 – 19 July 1891) was a nineteenth-century Spanish novelist, known best for his novel El sombrero de tres picos (1874), an adaptation of popular traditions which provides a description of village life in Alarcón's native region of Andalusia. It was the basis for Hugo Wolf's opera Der Corregidor (1897); for Riccardo Zandonai's opera La farsa amorosa (1933); and Manuel de Falla's ballet The Three-Cornered Hat (1919).
Alarcón wrote another popular short novel, El capitán Veneno ('Captain Poison', 1881). He produced four other full-length novels. One of these novels, El escándalo ('The Scandal', 1875), became noted for its keen psychological insights. Alarcón also wrote three travel books and many short stories and essays.Alarcón was born in Guadix, near Granada. In 1859, he served in a Spanish military operation in Morocco. He gained his first literary recognition with Diary of a Witness to the African War (1859–1860), a patriotic account of the campaign.
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.