Articles with PortugalA identifiers

María Moliner (30 March 1900 – 22 January 1981) was a Spanish librarian and lexicographer. She is perhaps best known for her Diccionario de uso del español, first published in 1966–1967, when she completed the work started in 1952.

María de la O Lejárraga García (28 December 1874 – 28 June 1974), usually known in Spanish under the pseudonym María Martínez Sierra was a Spanish feminist writer, dramatist, translator and politician. She collaborated with her husband Gregorio Martínez Sierra.

Fernando Santiván (1886–1973) was a Chilean writer renowned for winning the Chilean National Prize for Literature in 1952. His real name was Fernando Santibañez Puga.
He was the son of a Spaniard father and Chilean mother. At the age of 8 he was sent to the port city of Valparaiso, where he attended several schools. Later, he attended the prestigious "Instituto Nacional" and the School of Arts & Crafts, from which he was expelled for political reasons.
For a short time, he entered the Pedagogic Institute of the Universidad de Chile, studying maths and Spanish at the same time.
Santivan wanted to work to have his own independence, which led him to take jobs unusual for a future writer; shoemaker, tailor, coal seller, boxer, propagandist, etc.
In 1912 he directed the weekly "Pluma y Lápiz" (Pen & Pencil). In 1914, he acted as secretary in organizing the Chilean Writers Society, the Floral Games that has as a winner the poet Gabriela Mistral, with her Sonnets of Death.
He worked at several magazines and newspapers, directed some, and founded others like the successful magazine Artes y Letras.
By 1952, he received the Literature National Prize.
Santivan had a stroke in the city of Valdivia, where he died in 1973.

José Guadalupe Posada Aguilar (2 February 1852 – 20 January 1913) was a Mexican political lithographer who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement. He used skulls, calaveras, and bones to convey political and cultural critiques.
Among his most enduring works is La Calavera Catrina.

José Amador de los Ríos y Serrano (30 April 1818 – 17 February 1878) was a Spanish intellectual, primarily a historian and archaeologist of art and literature. He was a graduate in history of the Complutense University of Madrid.

In 1844 he was the secretary of the Comisión Central de Monumentos. He was co-director with Antonio de Zabaleta of the ephemeral Boletín Español de Arquitectura, the first Spanish journal dedicated exclusively to architecture. It was only in publication from 1 June to December 1846. In 1852 he published the complete works of Íñigo López de Mendoza. It was Amador de los Ríos who first used the term mudejarismo to describe a form of architectural decoration in 1859.
In 1861 he published the first volume of Historia crítica de la literatura española, the first general history of Spanish literature written in Spain. It was to remain incomplete. Ideologically Amador de los Ríos, a liberal and romantic, conceives of Spain as a unit, at once Roman Catholic and Castilian, a constitutional monarchy (though it was not one yet) united with its past by an idea luminosa (luminous idea). Countering the foreign historians who regard medieval Spain as a backwater, he also defended Spanish literature as the foremost among those which appeared after the Fall of Rome. Though he only covered the Middle Ages, he demonstrated that he regarded Spanish American literature as part of the Spanish tradition. In another work, Historia social, política y religiosa de los judíos de España, he accepts the Spanish Jewish literature as part of the tradition, since it "bloomed" in Spanish soil. Unlike Adolf de Castro, however, he did not condemn the Spanish Inquisition.

David Servan-Schreiber (April 21, 1961 – July 24, 2011) was a French physician, neuroscientist and author. He was a clinical professor of psychiatry at the University of Pittsburgh School of Medicine. He was also a lecturer in the Faculty of Medicine of Université Claude Bernard Lyon 1.

François-Edmond Pâris (6 March 1806 in Paris – 8 April 1893 in Paris) was a French admiral, notable for his contribution to naval engineering during the rise of the steam, for his books, and for his role in organising the Musée national de la Marine.

Auguste Jal (12 April 1795, in Lyon – 5 April 1873) was a French author who wrote on maritime archaeology and history.

Ernest François Fournier (23 May 1842–6 November 1934) was a French diplomat and admiral born in Toulouse. He was a negotiator in the Tientsin Accord, which resolved the undeclared war between France and China in 1884.He joined the navy in 1859, and fought in the Franco-Prussian War, seeing action in Battle of Villiers and Fort Rosny. He was also in charge of the French Mediterranean Sea naval squadron from 1898 until 1900.

Jacques Thuillier, (March 18, 1928, Vaucouleurs, Meuse – October 18, 2011, Paris) was a French art historian specializing in 17th-century French painting.
Thuillier was an honorary professor at the Collège de France, where he taught history of artistic creation from 1977 to 1998. He was a renowned specialist of French painting and, alongside the late Anthony Blunt, a leading authority on Nicolas Poussin. He published seminal works on the leading French painters of the time, including Simon Vouet, Georges de La Tour, the Le Nain brothers, Laurent de La Hyre, Sébastien Bourdon, Jacques Blanchard and Lubin Baugin. His publications on those painters often took the form of both an exhibition catalogue and a catalogue raisonné based on extensive archival research.
An avid collector, Thuillier donated, while still alive, along with his brother Guy Thuillier, his collection of drawings (2,000) and engravings (13,000) to the Museum of Fine Arts of Nancy and part of his collection of paintings to the art museum at Vic-sur-Seille. He donated to the city of Nevers part of his archives, his library, a collection of drawings and engravings, and his collections of photographs, thus making the Nevers Médiathèque into a documentation centre for French painting of the 17th century. Another part of these archives and manuscripts is held at the INHA (fr), in Paris.