20th-century German poets

Erich Neumann (Hebrew: אריך נוימן; 23 January 1905 – 5 November 1960) was a German psychologist, philosopher, writer, and student of Carl Jung.

Ilse Blumenthal-Weiss (14 October 1899 – 10 August 1987) was a German poet. A survivor of Westerbork and Theresienstadt concentration camps, she wrote largely about the Holocaust.

Henriette Hardenberg (February 5, 1894 – October 26, 1993), born Margarete Rosenberg, was a German-Jewish poet who emigrated to Britain in the late 1930s. In the 1910s, she was part of the circle of writers around the magazine Die Aktion, which championed literary Expressionism. In her poems, she examined the relationship between people and their bodies, especially the skin as both an interface between self and world and a limiting factor. In a late interview, she said that her work expressed a desire to transcend the limits of the body. Hardenberg was one of the few women among German Expressionist writers, and one recent reevaluation of her oeuvre ranks her work among the best of the Expressionists.

Ernst Blass (17 October 17, 1890, (Berlin) – 23 January 23, 1939 (Berlin), (pseudonyms: Daniel Stabler and Erich Sternow) was an important expressionist poet, critic and writer.Blass was a close friend of Kurt Hiller and joined him at Der Neue Club, alongside other writers of early Expressionism, Georg Heym and Jakob van Hoddis. From 1911, he collaborated with the magazine Die Aktion, before distancing himself from Franz Pfemfert in 1914.In Das Wesen der neuen Tanzkunst (The essence of the new dance art) Blass set out to identify abstract categories whereby "a new dance art" could be outlined. He described how the anthroposophical breathing methods taught at Loheland could transform the "marionette" into an animal form which could then leap in an ecstatic manner. In this he was responding to previous theories of dance, such as produced by Heinrich von Kleist who had written in 1807 a short text "Über dem Marionette Theater" according to which the dancer became a marionnette without either will or consciousness.In 1980 Thomas B. Schumann published a three volume collection of Blass' poetry (Volume 1), short stories (Volume 2) and various essays (Volume 3).

Sebastian Droste (born Willÿ Knobloch; 2 February 1898 – 27 June 1927) was a German poet, actor, and dancer associated with the underground art subculture of the Weimar Republic in the 1920s.
Droste relocated from his hometown of Hamburg to Berlin in 1919. He earned a living as a naked dancer, choreographer and expressionist poet. His first poem appeared in April edition of Der Sturm that same year, titled 'Tanz' (Dance). A further 15 poems and ‘grotesques’ appeared across 12 editions of the journal alongside other artists and poets such as Kurt Schwitters and Paul Klee. He alternated between publishing under the name Willy or Willi Knobloch. Also in 1919 he published a drama in the Dresden based expressionist journal Menschen.In 1922, Droste married expressionist exotic dancer and actress in silent movies of the Berlin scene, Anita Berber. She and Droste performed fantasias with titles such as "Suicide," "Morphium," and "Mad House". Droste appeared as a dancer in the silent movie Algol.
In 1923, Droste and Berber jointly published a book of poetry, photographs, and drawings called Die Tänze des Lasters, des Grauens und der Ekstase (Dances of Vice, Horror, and Ecstasy), based on their performance of the same name. Full of expressionist imagery, the book offered a glimpse into the angst and cynicism shadowing their artistic and personal existences. Their marriage ended in 1923.
In 1925, Droste met with photographer Francis Bruguière in New York City where he styled himself as Baron Willy Sebastian Knobloch Droste. Together they composed over 60 photographs for a proposed expressionist film starring Drost tentatively titled The Way. UFA GmbH rejected the proposal and the photographs were instead published as part of a photographic journal in Die Dame in July 1925.
Droste was diagnosed with tuberculosis in early 1927. He returned to his parents' home in Hamburg, where he died on June 27 of the same year.

Ernst Lissauer (16 December 1882 in Berlin – 10 December 1937 in Vienna) was a German-Jewish poet and dramatist remembered for the phrase Gott strafe England ("May God punish England"). He also created the Hassgesang gegen England, or "Song of Hate against England".

Hans Leip (22 September 1893 – 6 June 1983), was a German novelist, poet and playwright, best remembered as the lyricist of Lili Marleen.
Leip was the son of a former sailor and harbour-worker at the port of Hamburg. He was educated there, and in 1914 became a teacher in the Hamburg suburb of Rothenburgsort. In 1915 he was called up by the German army and after training in Berlin served on the Eastern front and in the Carpathians. After being wounded in 1917 he was discharged on medical grounds.
He first had ambitions as an artist, but then turned to writing, although he illustrated his books himself. In the 1920s, he travelled extensively, to Paris, London, Algiers and New York City, among other places. His breakthrough as a novelist was with the success of Godekes Knecht, which was awarded the prize of the Kölnische Zeitung newspaper. His novels sold well in the years leading up to the outbreak of World War II, while he also wrote plays, short stories, poems, dramas and was also a painter and sculptor.

Johann Wilhelm Kinau (22 August 1880 – 31 May 1916), better known by his pseudonym Gorch Fock (German pronunciation: [ɡɔʀx fɔk]), was a German author. Other pseudonyms he used were Jakob Holst and Giorgio Focco.

Hans Leybold (2 April 1892 – 8 September 1914) was a German expressionist poet, whose small body of work was a major inspiration behind much of the Dada movement, in particular the works of his close friend Hugo Ball. Although Leybold died two years before the emergence of Dada, his absurdist writings and poems represent an important stage in the development of expressionist movement in Germany.
Born into a middle-class family in Frankfurt am Main, Leybold was raised in Hamburg where he completed his schooling in 1911 and joined the German Army. In his compulsory year of conscription he impressed his superior officers so much he was offered a commission and embarked on a military career. Taking a leave of absence to attend university, Leybold traveled to Munich to study German literature and whilst there he fell in with the crowd of German poets and authors who would head the Dada movement post-war. These figures included Richard Huelsenbeck, Emmy Hennings, Klabund, Johannes R. Becher, Franz Jung and most importantly of all his particular friend Hugo Ball. It was Ball who interested Leybold in the expressionist movement and soon the two of them were soon producing poetry together under the pseudonym Ha Hu Baley. In the company of these authors, Leybold experimented wildly with technique and imagery in his poetry, seeking both to develop his skills and in the process deconstruct poetry itself, heavily influenced by Alfred Kerr and Friedrich Nietzsche. In consequence of his literary experimentation, his studies went neglected and he began to edit and contribute to expressionist magazines, such as Die Aktion and his own work, the short lived magazine Revolution, in which he and his colleagues issued their literary manifesto.
"Protect yourself against responsibilities! Hit out: against old household rubbish! And if some valuable piece gets torn up in the process: what does it matter? You respected people! You well-polished ones! You bigwigs! We ought to stick our tongues out at you! Boys, you'll say. Old men! we'll reply"
In August 1914 the First World War erupted and Leybold was immediately called up as an active reservist. Less than a month later, Leybold was seriously wounded during operations near Namur and was evacuated to a casualty clearing hospital. He recovered rapidly from his wound but on 8 September, the night he returned to his regiment, he committed suicide by gunshot to the head. His death was never fully explained, although a rumour persisted that he had syphilis and had given up on survival following his wound. His works were collected together many years after his death, as he never had a book published independently, and he is now recognised as an important influence both on Dadism and German expressionism itself.

Rudolf Pannwitz (27 May 1881 in Crossen/Oder, Province of Brandenburg, Prussia – 23 March 1969 in Astano, Ticino, Switzerland) was a German writer, poet and philosopher. His thought combined nature philosophy, Nietzsche, an opposition to nihilism and pan-European internationalism: Pannwitz's elusive, difficult goal may be seen as the complete re-evaluation of man, art, science and culture envisaged as the expression of an evolving cosmos obeying the laws of eternal recurrence, with Nietzsche-Zarathustra as the supreme prophet.