Vocation : Building Trades : Architect/ Planner

Enrique del Moral Dominguez (21 January 1905 – 11 June 1987) was a Mexican architect and an exponent of the functionalism movement, a modernist group that included Mexican artists and architects such as José Villagrán Garcia, Carlos Obregón Santacilia, Juan O'Gorman, Eugenio Peschard, Juan Legarreta, Carlos Tarditti, Enrique de la Mora and Enrique Yanez. The movement developed from innovative concepts presented by Frank Lloyd Wright, Le Corbusier, Mies van der Rohe and the Bauhaus school as well as Die Stijl, and remodeled the profile of cosmopolitan Mexico City and other cities in the 1930s.
Over a span of more than fifty years, Enrique de Moral was designer and builder of over 100 public and private works in large metropolitan areas such as Mexico City as well as his hometown of Irapuato, but is primarily known for his role in the overall plan of the Ciudad Universitaria (1947–1952), site of the National Autonomous University of Mexico (UNAM), along with the architects Mario Pani and Salvador Ortega. He was responsible for the direction and coordination of the master project and the Rectorship Tower, one of the most representative features of the campus.
Del Moral modernized curricula during his time as director of the Faculty of Architecture (UNAM) (1944–1949), incorporating philosophies acquired from like-minded architects such as Mies van der Rohe at the Illinois Institute of Technology as well as Mexican philosophy on esthetic espoused by Dr. Jose Gaos in the Faculty of Philosophy and Literature (UNAM). He dedicated a large amount of his academic life to lecturing both domestically and abroad, and published books and essays on the evolution of architectural styles. He theorized about functionalism in Mexico and debated controversial issues of his time, such as the integration of plastic arts into architecture, and promoted the conservation of cities, approaching architecture in a way that could find balance between traditional and modern styles.

Jacob Berend "Jaap" Bakema (8 March 1914 – 20 February 1981) was a Dutch modernist architect, notable for design of public housing and involvement in the reconstruction of Rotterdam after the Second World War.Born in Groningen, Bakema studied at the Groningen Higher Technical College (1931–1936) and the Academy of Architecture in Amsterdam, where he studied among others with Mart Stam. In 1946 he began attending meetings of the Congrès International d'Architecture Moderne, became its Secretary in 1955, and was a core member of its offshoot Team 10.From 1948 onward, Bakema worked with Jo van den Broek in the architectural firm Van den Broek and Bakema. They collaborated to design landmarks and neighborhoods in Rotterdam and around the Netherlands, and participated in the 1957 Interbau project in Berlin.
In 1964 Bakema became a professor at Delft University of Technology, and in 1965 became a professor at Staatliche Hochschule in Hamburg.

François Roche (born 1961) is a French architect. Roche is the co-founder and director of R&Sie(n) Architects and the research architectural firm, New Territories/M4.

Jacques Garcia, (born 25 September 1947) is a French architect, interior designer and garden designer, best known for his contemporary interiors of Paris hotels and restaurants. He is the current owner of the Château du Champ-de-Bataille, a Baroque château lying between the communes of Neubourg and Sainte-Opportune-du-Bosc. It was built in the 17th century for the Maréchal de Créqui, however, he has made significant changes to the property, most notably building the French formal garden; since his acquisition of the property in 1992.

Pierre-Marie Bossan (23 July 1814, in Lyon – 23 July 1888, in La Ciotat) was a French historicist architect, a pupil of Henri Labrouste, specialising in ecclesiastical architecture.

Édouard François (born April 2, 1957 in Boulogne-Billancourt) is a French architect known for his environmentally friendly buildings. He was described as "The Hero of Green Architecture" by the Financial Times for his Tower-Flower.

Claude Parent (26 February 1923 – 27 February 2016), born in Neuilly-sur-Seine, France, was a French architect.
Architect, polemicist and theoretician, Claude Parent was the first person in France to make a sharp epistemological break with modernism, beginning in the mid 1950s. Through articles, books, magnificent manifesto-drawings and built projects, his work has enabled us to rethink our understanding and evolve our grasp of space. From the Maison Drusch (1963) all the way to his project for the Musée du Prado (1995), he has sought to create discontinuity by shifting and tipping volumes and by fracturing of the plan. Essentially self-taught, he began his career with Ionel Schein, with whom he worked until 1955. He also participated in the Espace group, founded in 1951 by the artists André Bloc and Félix del Marle. The Architecture Principe group (1963–68) was born out of his encounter with Paul Virilio. As was the adventure of the oblique function, their innovation through the continuity of the inclined plane, which led to the construction of the l’Eglise Sainte-Bernadette-du-Banlay in Nevers (1966).
After the 1968 split with Virilio, Claude Parent continued to experiment, develop and build the oblique function into his projects (Claude Parent's own house in Neuilly, painter Andrée Bellaguet's apartment) as well as in temporary installations in several Maisons de la Culture (Culture centers in France in the late 60s). In 1970, he curates and designs the French Pavilion at the 35th Venice Art Biennale, Italy, inviting artists such as Gérard Mannoni, Gilles Ehrmann, Samuel Buri; François Morellet, Andrée Bellaguet, Jean-Pierre Cousin and Charles Maussion. Claude Parent's space design (called "The Line of the Greatest Slope") is the first successful attempt to construct an oblique space. Imagined alone, but elaborated collectively, the French pavilion is considered by Parent as "a collective act [...] a creative action." With this event, Claude Parent transforms the viewer into works of art. This experiment becomes his working material and the reactions, positive as well as negative, will form the basis of the architect's study.Parent also designed several superstores in “béton brut” or “raw concrete” in Ris Orangis (1969) and Sens (1970), among others. In 1974, a few months after the oil crisis, EDF (France's production and distribution power company), Parent, 47, is entrusted with the coordination of a group of architects including, among others Paul Andreu, Jean Willerval and Roger Taillibert. For the next 10 years he leads the group to redesign nuclear power plants and find ways to better integrate them in the landscape. Commissions from the public sector for the French Education Department, the Regional Council of Provence Alpes Côte d’Azur in Marseille (1991), the Charles de Gaulle airport exchange center (1995) and the French Pavilion facade at the Venice Biennale of Architecture (1996) are all expressions of his quest for disequilibrium, movement and fluidity in architecture. Demanding, critical, provocative and fiercely obstinate, Claude Parent has continuously proposed places of contradiction generating doubt and disquiet and excluding any sort of passiveness with regard to architecture.
Though destined for a career as an engineer in the field of aeronautics, Claude Parent enrolled in the École Nationale Supérieure des Beaux-Arts of Toulouse in 1943 in the architecture studio, and then in 1946 in the École Nationale Supérieure des Beaux-Arts of Paris. He left before obtaining his diploma in architecture, and later founded his own firm in 1956, but was only recognized by and admitted to the Order of Architects in 1966, based on his experience. An Academician, Claude Parent is a Commander of the French Legion of Honor, a Commander of Arts and Letters, Officer of the Palmes Académiques and a Commander of the National Order of Merit. Prizes stand as milestones marking his entire career: National Grand Prize of Architecture (1979), the silver medal of the Academy of Architecture, the medal of the Central Union of the Decorative Arts, the gold medal of the Society for the Encouragement of Progress and the medal of the U.I.A for his work in criticism. In 1994, Architecture critic and curator Fréderic Migayrou celebrates Claude Parent's essential contribution and unique place in post WWII architecture, and many leading architects such as Jean Nouvel, Frank Gehry, Thom Mayne, Zaha Hadid recognize him as both a precursor and an influence. In 2010, a retrospective exhibition at the Cité de l’Architecture et du Patrimoine was dedicated to this major figure in the history of 20th-century architecture.