Carl Sternheim (born William Adolph Carl Francke; 1 April 1878 – 3 November 1942) was a German playwright and short story writer. One of the major exponents of German Expressionism, he especially satirized the moral sensibilities of the emerging German middle class during the Wilhelmine period.
Robert Bosch (23 September 1861 – 12 March 1942) was a German industrialist, engineer and inventor, founder of Robert Bosch GmbH.
Karl Albert Ludwig Aschoff (10 January 1866 – 24 June 1942) was a German physician and pathologist. He is considered to be one of the most influential pathologists of the early 20th century and is regarded as the most important German pathologist after Rudolf Virchow.
Annemarie Minna Renée Schwarzenbach (23 May 1908 – 15 November 1942) was a Swiss writer, journalist and photographer. Her bisexual mother brought her up in a masculine style, and her androgynous image suited the bohemian Berlin society of the time, in which she indulged enthusiastically. Her anti-fascist campaigning forced her into exile, where she became close to the family of novelist Thomas Mann. She would live much of her life abroad as a photo-journalist, embarking on many lesbian relationships, and experiencing a growing morphine addiction. In America, the young Carson McCullers was infatuated with Schwarzenbach, to whom she dedicated Reflections in a Golden Eye. Schwarzenbach reported on the early events of World War II, but died of a head injury, following a fall.
Joseph Edward Baird (November 12, 1865 – June 14, 1942) was a U.S. Representative from Ohio for one term from 1929 to 1931.
Virginia Lee Corbin (December 5, 1910 – June 4, 1942) was an American silent film actress.
Andrew Russell Forsyth, FRS, FRSE (18 June 1858, Glasgow – 2 June 1942, South Kensington) was a British mathematician.
Joseph Schmidt (4 March 1904 – 16 November 1942) was an Austro-Hungarian and Romanian Jewish tenor.
Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron edicules or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro.Between 1890 and 1930, Guimard designed and built some fifty buildings, in addition to one hundred and forty-one subway entrances for Paris Metro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Metro edicules were still in place. Guimard's critical reputation revived in the 1960s, in part due to subsequent acquisitions of his work by Museum of Modern Art, and art historians have noted the originality and importance of his architectural and decorative works. Guimard was a disciple of Viollet le Duc.