CS1 Czech-language sources (cs)

Václav Havel (Czech pronunciation: [ˈvaːtslav ˈɦavɛl] ; 5 October 1936 – 18 December 2011) was a Czech statesman, author, poet, playwright and dissident. Havel served as the last president of Czechoslovakia from 1989 until 1992, prior to the dissolution of Czechoslovakia on 31 December, before he became the first president of the Czech Republic from 1993 to 2003. He was the first democratically elected president of either country after the fall of communism. As a writer of Czech literature, he is known for his plays, essays and memoirs.
His educational opportunities having been limited by his bourgeois background, when freedoms were limited by the Czechoslovak Socialist Republic, Havel first rose to prominence as a playwright. In works such as The Garden Party and The Memorandum, Havel used an absurdist style to criticize the Communist system. After participating in the Prague Spring and being blacklisted after the Warsaw Pact invasion of Czechoslovakia, he became more politically active and helped found several dissident initiatives, including Charter 77 and the Committee for the Defense of the Unjustly Prosecuted. His political activities brought him under the surveillance of the StB secret police, and he spent multiple periods as a political prisoner, the longest of his imprisoned terms being nearly four years, between 1979 and 1983. In this period, Samuel Beckett wrote a play Catastrophe in Havel's Support. Havel wrote his short play Mistake in response to Beckett. Both plays were published by Index On Censorship in 1984. In 2022, Reza Shirmarz, an Iranian playwright, was asked by Index to write a play (Muzzled) in response to both playwright after a couple decades presenting the ongoing issue of censorship and self-censorship.[1]
Havel's Civic Forum party played a major role in the Velvet Revolution that toppled the Communist system in Czechoslovakia in 1989. He assumed the presidency shortly thereafter, and was re-elected in a landslide the following year and after Slovak independence in 1993. Havel was instrumental in dismantling the Warsaw Pact and enlargement of NATO membership eastward. Many of his stances and policies, such as his opposition to Slovak independence, condemnation of the treatment of Sudeten Germans and their mass expulsion from Czechoslovakia after World War II, as well as granting of general amnesty to all those imprisoned under the Communist era, were very controversial domestically. By the end of his presidency, he enjoyed greater popularity abroad than at home. Havel continued his life as a public intellectual after his presidency, launching several initiatives including the Prague Declaration on European Conscience and Communism, the VIZE 97 Foundation, and the Forum 2000 annual conference.
Havel's political philosophy was one of anti-consumerism, humanitarianism, environmentalism, civil activism, and direct democracy. He supported the Czech Green Party from 2004 until his death. He received numerous accolades during his lifetime, including the Presidential Medal of Freedom, the Gandhi Peace Prize, the Philadelphia Liberty Medal, the Order of Canada, the Four Freedoms Award, the Ambassador of Conscience Award, and the Hanno R. Ellenbogen Citizenship Award. The 2012–2013 academic year at the College of Europe was named in his honour. He is considered by some to be one of the most important intellectuals of the 20th century. The international airport in Prague was renamed Václav Havel Airport Prague in 2012.

Hans Josef Maria Globke (10 September 1898 – 13 February 1973) was a German administrative lawyer, who worked in the Prussian and Reich Ministry of the Interior in the Reich, during the Weimar Republic and the time of National Socialism and was later the Under-Secretary of State and Chief of Staff of the German Chancellery in West Germany from 28 October 1953 to 15 October 1963 under Chancellor Konrad Adenauer. He is the most prominent example of the continuity of the administrative elites between Nazi Germany and the early West Germany.
In 1936, Globke wrote a legal annotation on the antisemitic Nuremberg Race Laws that did not express any objection to the discrimination against Jews, placing the Nazi Party on a firmer legal ground and setting the path to the Holocaust during World War II. By 1938, Globke had been promoted to Ministerialdirigent in the Office for Jewish Affairs in the Ministry of the Interior, where he produced the Name Change Ordinance, a law that forced Jewish men to take the middle name Israel and Jewish women Sara for easier identification. In 1941, during the Nazi period, he issued another statute that stripped Jews in occupied territories of their statehood and possessions. Globke was identified as the author of an interior ministry report from France, written in racist language, that complained of "coloured blood into Europe" and called for the "elimination" of its "influences" on the gene pool.Globke later had a controversial career as Secretary of State and Chief of Staff of the West German Chancellery. A strident anti-communist, Globke became a powerful éminence grise of the West German government, and was widely regarded as one of the most influential public officials in the government of Chancellor Konrad Adenauer. Globke had a major role in shaping the course and structure of the state and West Germany's alignment with the United States. He was also an important figure in West Germany's anti-communist policies at the domestic and international level and in the Western intelligence community, and was the German government's main liaison with NATO and other Western intelligence services, especially the Central Intelligence Agency (CIA).

Colonel Marie Augstin Gaston Cros (known as Gaston Cros) (6 October 1861 – 10 May 1915) was a French army officer and archaeologist. He was born in Alsace and was displaced when that territory was incorporated into the German Empire. He joined the French Army as a lieutenant and saw action in Tonkin before spending several years surveying in Tunisia, receiving the honours of membership of Vietnamese and Tunisian orders and appointment as a chevalier of the Legion of Honour. In 1901 Cros was appointed head of the French archaeological expedition to Girsu, Iraq to continue the work of Ernest de Sarzec. His work over the next five years included the tracing of the 32.5 feet (9.9 m) thick city wall and for his work there received a letter of commendation from Gaston Doumergue, the Minister of Fine Arts, and the award of the Golden Palms of the Ordre des Palmes Académiques. Promoted to lieutenant-colonel, Cros served in the French protectorate of Morocco from 1913, seeing action in the Zaian War.
Upon the outbreak of the First World War Cros was recalled to metropolitan France and fought in defence of Paris at the First Battle of the Marne, leading an ad hoc unit of zouaves and tirailleurs. He was wounded and spent two days directing his troops from a horse-drawn carriage before he was forced to leave his command. On 15 September 1914 he was promoted to colonel and subsequently received command of the 2nd Moroccan Brigade which he led at the Battle of the Yser and the Second Battle of Artois. It was at Artois that he was killed in a German counter-attack. Cros' name is recorded alongside that of Colonel Pein, who commanded the 1st Moroccan Brigade at Artois, on the Moroccan Division Memorial at Vimy.

Lloyd Olen "Sunshine" Parker (June 10, 1927 – February 17, 1999) was an American character actor. He is best known for his roles as Emmet in Road House and Edgar Deems in Tremors. He typically played minor roles as either a "bum" or an "old codger/geezer" stock character.

Emmy Destinn (Ema Destinnová ([ˈɛma ˈdɛstɪnovaː] ); 26 February 1878 – 28 January 1930) was a Czech operatic dramatic soprano. She had a career both in Europe and at the New York Metropolitan Opera. She was one of the greatest opera singers of the 19th and 20th centuries.

Jean Delville, born Jean Libert (19 January 1867 – 19 January 1953), was a Belgian symbolist painter, author, poet, polemicist, teacher, and Theosophist. Delville was the leading exponent of the Belgian Idealist movement in art during the 1890s. He held, throughout his life, the belief that art should be the expression of a higher spiritual truth and that it should be based on the principle of Ideal, or spiritual Beauty. He executed a great number of paintings during his active career from 1887 to the end of the second World War (many now lost or destroyed) expressing his Idealist aesthetic. Delville was trained at the Académie des Beaux-arts in Brussels and proved to be a highly precocious student, winning most of the prestigious competition prizes at the Academy while still a young student. He later won the Belgian Prix de Rome which allowed him to travel to Rome and Florence and study at first hand the works of the artists of the Renaissance. During his time in Italy he created his celebrated masterpiece L'Ecole de Platon (1898), which stands as a visual summary of his Idealist aesthetic which he promoted during the 1890s in his writings, poetry and exhibitions societies, notably the Salons d'Art Idéaliste.
Characteristically, Delville's paintings are idea-based, expressing philosophical ideals derived from contemporary hermetic and esoteric traditions. At the start of his career, his esoteric perspective was mostly influenced by the work of Eliphas Levi, Edouard Schuré, Joséphin Péladan and Saint-Yves d'Alveydre, and later by the Theosophical writings of Helena Blavatsky and Annie Besant. The main underlying theme of his paintings, especially during his early career, has to do with initiation and the transfiguration of the inner life of the soul towards a higher spiritual purpose. Specifically they deal with themes symbolising Ideal love, death and transfiguration as well as representations of Initiates ('light bringers'), and the relationship between the material and metaphysical dimensions. His paintings and finished drawings are an expression of a highly sensitive visionary imagination articulated through precisely observed forms drawn from nature. He also had a brilliant gift for colour and composition and excelled in the representation of human anatomy. Many of his major paintings, such as his Les Trésors de Sathan (1895), l'Homme-Dieu (1903) and Les Ames errantes (1942), represent dozens of figures intertwined in complex arrangements and painted with highly detailed anatomical accuracy. He was an astonishingly skilled draughtsman and painter capable of producing highly expressive works on a grand scale, many of which can be seen in public buildings in Brussels, including the Palais de Justice.
Delville's artistic style is strongly influenced by the Classical tradition. He was a lifelong advocate of the value of the Classical training taught in the Academies. He believed that the discipline acquired as a result of this training was not an end in itself, but rather a valuable means of acquiring a solid drawing and painting technique to allow artists freely to develop their personal artistic style, without inhibiting their individual creative personality. Delville was a respected Academic art teacher. He was employed at the Glasgow School of Art from 1900 to 1906 and as Professor of drawing at the Académie des Beaux-arts in Brussels thereafter until 1937.
He was also a prolific and talented author. He published a very great number of journal articles during his lifetime as well as four volumes of poetry, including his Le Frisson du Sphinx (1897) and Les Splendeurs Méconnues (1922). He authored more than a dozen books and pamphlets relating to art and esoteric subjects. The most important of his published books include his esoteric works, Dialogue entre Nous (1895) and Le Christ Reviendra (1913) as well as his seminal work on Idealist art, La Mission de l'Art (1900). He also created and edited several contemporary journals and newspapers during the 1890s promoting his Idealist aesthetic including L'Art Idéaliste and La Lumière.
Delville was an energetic artistic entrepreneur, creating several influential artistic exhibition societies, including Pour l'Art and the Salons de l'Art Idéaliste in the 1890s and later, the Société de l'Art Monumental in the 1920s which was responsible for the decoration of public buildings including the mosaics in the hemicycle of the Cinquantenaire in Brussels. He also founded the very successful Coopérative artistique, which provided affordable art materials for artists at the time.