Herbert Lippschitz (1904–1972) was a German art director. He rose to prominence during the Weimar Republic in the early sound era. The Jewish Lippschitz was forced to leave Germany following the rise of the Nazi Party to power in 1933. This largely halted his career although he was sporadically involved in films in a variety of different countries. He is sometimes credited as Herbert O. Phillips.
Hans Wilhelm (18 October 1904 – 23 December 1980) was a German screenwriter. Wilhelm was of Jewish heritage, and was forced to emigrate following the Nazi takeover in 1933. After going into exile he worked in a variety of countries including Britain, France, and Turkey before eventually settling in the United States. He later returned to work in West Germany following the Second World War.
Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including The Congress Dances and The Last Ten Days (1955).
Wilhelm Vorwerg (1899–1990) was a German art director who designed the sets for over fifty films including a number of Rialto Film's series of Edgar Wallace adaptations in the 1960s.
Hans Albin (27 July 1905 – 5 September 1988) was a German actor, film producer and film director.
Ernst Wilhelm Fiedler (1905–1960) was a German cinematographer. He also directed three films.
Kurt Ulrich (28 June 1905 – 11 September 1967) was a German film producer. He produced more than 140 films between 1933 and 1964. He was born in Berlin, Germany.
Rudi Feld (1896–1994) was a German art director and set designer who worked for many years in the United States.
Gabriel Levy (26 May 1881 – 26 March 1965) was a German film producer who was associated with the company Aafa-Film during the 1920s and 1930s. Following the Nazi takeover of power in 1933 the Jewish Levy lost control of the company and was forced into exile in the Netherlands.
Lothar Stark (5 September 1876 – 31 March 1944) was a German film producer. Stark was originally a journalist, but was brought into the film industry by the tycoon Paul Davidson. Stark worked as a distributor and worked then as an independent producer during the First World War and the Weimar Republic, founding his own company Lothar Stark-Film. Following the Nazi takeover in 1933, he faced increasing difficulties. In 1933 when evidence of his Jewish background was discovered, Stark went into exile in Copenhagen. Later he also went to London. He tried to produce new films there, but was unable to secure funding. Then he returned to Denmark, which was then invaded by Germany in 1940. In 1943 Stark, along with the majority of the Danish Jewish population, managed to escape to Sweden.