French male stage actors

Félix Galipaux (12 December 1860 – 7 December 1931) was a French actor, playwright, and humorist; known for his comic stage monologues, such as Communication Telephonique (Paris, 1906). A few of these monologues were recorded.

Maurice de Féraudy (born in Joinville-le-Pont on December 3, 1859 - died in Paris May 12, 1932) was a French songwriter, stage and film director, and actor at the Comédie-Française. He was the father of actor Jacques de Féraudy.

Gérard Darrieu (1925–2004) was a French actor.

Saturnin Fabre (4 April 1884 – 4 October 1961) was a French film actor.

Fernand Fabre (1899–1987) was a French stage, television and film actor.

Dranem (23 May 1869 – 13 October 1935) was a French comic singer, music hall, stage and film actor.

Michel René Thibaut, known by his stage-name Daubray, born Nantes 7 May 1837, died Paris 10 September 1892 was a leading French actor and singer in operetta, active mainly in Paris but who also appeared around Europe.

Benoît-Constant Coquelin (French pronunciation: [bənwa kɔ̃stɑ̃ kɔklɛ̃]; 23 January 1841 – 27 January 1909), known as Coquelin aîné ("Coquelin the Elder"), was a French actor, "one of the greatest theatrical figures of the age."

Aimé Clariond (10 May 1894 – 31 December 1959) was a French stage and film actor.
Clariond was born in Périgueux, Dordogne, France and died in Paris.

Jean Baptiste Prosper Bressant (24 October 1815 – 23 January 1886) was a French actor born in Chalon-sur-Saône, Saône-et-Loire, in 1815. In 1838, he went to the French theatre at St. Petersburg, where for eight years he played important parts with ever-increasing reputation. His success was confirmed at the Gymnase when he returned to Paris in 1846, and he made his debut at the Comédie Française as a full-fledged sociétaire in 1854.From playing the ardent young lover, he turned to leading roles both in modern plays and in the classical repertoire. His Richelieu in Mlle de Belle-Isle, his Octave in Alfred de Musset's Les Caprices de Marianne, and his appearance in de Musset's Il faut qu'une porte soit ouverte ou fermée and Un caprice were followed by Tartuffe, Le Misanthrope and Don Juan. Bressant retired in 1875, and died on 23 January 1886. During his professorship at the Conservatoire, Jean Mounet-Sully was one of his pupils.He introduced a new hairstyle; a magazine of the period described it as follows: "The Bressant hairstyle is this: the hair is left long on both sides and raised, a little bouffant, above the ears; on the top of the head it is cut short, no part, neither to right, nor to the left."