German male dramatists and playwrights

Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the Verfremdungseffekt.
During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator, actress Helene Weigel.

Stefan Anton George (German: [ˈʃtɛfan ˈʔantoːn ɡeˈ(ʔ)ɔʁɡə]; 12 July 1868 – 4 December 1933) was a German symbolist poet and a translator of Dante Alighieri, William Shakespeare, Hesiod, and Charles Baudelaire. He is also known for his role as leader of the highly influential literary circle called the George-Kreis and for founding the literary magazine Blätter für die Kunst ("Journal for the Arts"). From the inception of his circle, George and his followers represented a literary and cultural revolt against the literary realism trend in German literature during the last decades of the German Empire.

Bernd Heinrich Wilhelm von Kleist (18 October 1777 – 21 November 1811) was a German poet, dramatist, novelist, short story writer and journalist. His best known works are the theatre plays Das Käthchen von Heilbronn, The Broken Jug, Amphitryon and Penthesilea, and the novellas Michael Kohlhaas and The Marquise of O. Kleist died by suicide together with a close female friend who was terminally ill.
The Kleist Prize, a prestigious prize for German literature, is named after him, as was the Kleist Theater in his birthplace Frankfurt an der Oder.

Karl Gustav Vollmöller (or Vollmoeller; 7 May 1878 – 18 October 1948) was a German philologist, archaeologist, poet, playwright, screenwriter, and aircraft designer. He is most famous for the elaborate religious spectacle-pantomime The Miracle and the screenplay for the celebrated 1930 film The Blue Angel (Der blaue Engel), which made a star of Marlene Dietrich.

Johann Georg Fischer (25 October 1816 – 4 May 1897) was a German poet and playwright.

Eberhard Wolfgang Möller (6 January 1906 – 1 January 1972) was a German dramatist and poet.

Reinhard Johannes Sorge (29 January 1892 – 20 July 1916) was a German dramatist and poet. He is best known for writing the Expressionist play The Beggar (Der Bettler), which won the Kleist Prize in 1912 and almost singlehandedly created surrealist theatre and modern theatrical stagecraft. After being subsequently received into the Roman Catholic Church, Sorge began an effort to bring the Catholic literary revival into the literature of the Germanosphere. Instead, Sorge was conscripted into the Imperial German Army in World War I in 1915. He was killed in action during the Battle of the Somme in the summer of 1916. Sorge's Der Bettler, however, received a posthumous premiere in a groundbreaking production by legendary Austrian Jewish stage director Max Reinhardt in 1917.

Hans Leip (22 September 1893 – 6 June 1983), was a German novelist, poet and playwright, best remembered as the lyricist of Lili Marleen.
Leip was the son of a former sailor and harbour-worker at the port of Hamburg. He was educated there, and in 1914 became a teacher in the Hamburg suburb of Rothenburgsort. In 1915 he was called up by the German army and after training in Berlin served on the Eastern front and in the Carpathians. After being wounded in 1917 he was discharged on medical grounds.
He first had ambitions as an artist, but then turned to writing, although he illustrated his books himself. In the 1920s, he travelled extensively, to Paris, London, Algiers and New York City, among other places. His breakthrough as a novelist was with the success of Godekes Knecht, which was awarded the prize of the Kölnische Zeitung newspaper. His novels sold well in the years leading up to the outbreak of World War II, while he also wrote plays, short stories, poems, dramas and was also a painter and sculptor.

Heinrich Eduard Jacob (7 October 1889 – 25 October 1967) was a German and American journalist and author. Born to a Jewish family in Berlin and raised partly in Vienna, Jacob worked for two decades as a journalist and biographer before the rise to power of the Nazi Party. Interned in the late 1930s in the concentration camps at Dachau and then Buchenwald, he was released through the efforts of his future wife Dora, and emigrated to the United States. There he continued to publish books and contribute to newspapers before returning to Europe after the Second World War. Ill health, aggravated by his experiences in the camps, dogged him in later life, but he continued to publish through to the end of the 1950s. He wrote also under the pen names Henry E. Jacob and Eric Jens Petersen.

Johannes Schlaf (21 June 1862 in Querfurt – 2 February 1941 in Querfurt) was a German playwright, author, and translator and an important exponent of Naturalism. As a translator he was important for exposing the German-speaking world to the works of Walt Whitman, Émile Verhaeren and Émile Zola and is known as a founder of the "Whitman Cult" in Germany. His literary achievements lie foremost in the scenic-dialogue innovations of "sequential naturalism" and in the formalization of literary impressionism. He also contributed to the emergence of the "intimate theater."
Some of his poems have been set to music by composers Alban Berg and Arnold Schoenberg.
He is sometimes mistakenly cited for coining the term "The Third Reich" in relation to Nazism because of his 1906 novel by that name. The Nazi use of the term comes from a 1923 book Das Dritte Reich by Arthur Moeller van den Bruck.