Norwegian ceramists

Nina Malterud (born 1951) is a Norwegian ceramist. A graduate of the Norwegian National Academy of Craft and Art Industry, since 1975 she has created a variety of practical and artistic artefacts, both large and small, working mainly with blue clay. Applying her art to tiles, she has decorated public buildings including the University of Tromsø and the Courthouse in Sandvika. Malterud was head of ceramics at the Bergen Academy of Art and Design from 1994, serving as rector from 2002 to 2010. In 2022, she not only received the Ulrik Hendriksen Honorary Award but was honoured with the St. Olav's Medal.

Finn Hald (8 July 1929 – 17 October 2010) was a Norwegian ceramist, sculptor, illustrator, poet and playwright. He was married to Dagny Revold. Among his books are Revestreker from 1970 and the short story collection Fuglesirkuset from 1978. He published Mellom to stoler from 1980, Sidespor from 1986 and Oppsving from 1996, all in collaboration with his wife Dagny Hald and designer Roar Høyland.

Grete Nash (née Helland-Hansen; 14 February 1939 – 20 March 1999) was a Norwegian ceramist.
She was born in Oslo to Eigil Helland-Hansen and Sophie Marie Eeg, and was a granddaughter of oceanographer Bjørn Helland-Hansen. She introduced the Japanese raku ware pottery tradition in Norway. Her wall plate Bysants from 1991 was acquired by the Storting, and she is represented in the National Museum of Art, Architecture and Design, the West Norway Museum of Decorative Art and Sørlandets Art Museum. She was decorated Knight, First Class of the Order of St. Olav in 1998.

Mette Cecilie Newth (born 31 January 1942) is a Norwegian illustrator, author of children's literature, and organizer. She received the Norwegian Critics Prize for Best children's book.

Jens von der Lippe (13 October 1911 – 17 June 1990) was a Norwegian ceramist, non-fiction writer and educator. He was born in Christiania, and was a brother of Frits von der Lippe and Just Lippe.
He ran a ceramics workshop in Oslo in cooperation with his wife, Margrethe von der Lippe, and many of their works were co-productions. He lectured at the Norwegian National Academy of Craft and Art Industry from 1939 to 1975. He published the book Stråmønsteret – det udødelige blåmalede in 1983.

William Knutzen (4 July 1913 – 11 February 1983) was a Norwegian ceramist. He was born in Christiania. He established his own workshop in Oslo in 1933, and had his exhibition debut in 1935. From 1946 to 1949 he was artistical leader at Graverens Teglverk in Sandnes. He is represented in various museums, including the National Museum of Art, Architecture and Design, the Victoria and Albert Museum in London, and museums in Vienna and in Faenza.
After he established his own ceramics workshop in Oslo in 1933, he joined the company with Andreas Thiele Schneider in 1937. The established Schneider & Knutzen der Knutzen became the artistic driving force. That same year, William Knutzen participated in the Norwegian Pavilion at the World Exhibition in Paris. From around 1940 he often worked with chamotte ceramics with coarse, elegantly sharpened patterns and bold colors on creamy tin glass. During the period 1946–49, Knutzen was artistic director of the ceramics department at Graveren. At the same time as he established a new workshop in 1949, he also became an artistic director of Arnold Wiig's Fabrikker in Halden. Knutzens works from the early 1950s are characterized by an experimental abstract form in partially glazed red-colored.