Peruvian artists

Nicario Jiménez Quispe (born in 1957) is a Peruvian-American retablo maker. He was born in the village of Alcamenca in Ayacucho, Peru, high in the Andes mountain range. He makes traditional Andean altarpieces, small wooden boxes filled with figures, animals and other objects that tell a story. Spanish priests used them to teach about the Catholic saints. He is a third generation retablo artist and learned the tradition from his father and grandfather. He also studied sculpture at several universities in Peru. The main altarpieces represent religious, historical and everyday life events. They can be humorous or political. His works are based on their pre-Hispanic Andean art and family influences. In 2012, he was the recipient of a Florida Folk Heritage Award.His altarpiece figurines are made by hand with a mix of boiled potato and gypsum powder. His work has appeared in major museum exhibitions, including the Smithsonian Institution where they are part of the permanent collection. Nicario has taught at universities and international conferences, and his work is in many prestigious art collections. Jimenez is now living in Naples, Florida, where he creates retablos that feature different stories of the struggles of Latino immigrants and scenes of Hispanic neighborhoods in South Florida. Through his works, Nicario Jimenez, the "artist of the Andes," has shared the art form of the altarpiece with audiences around the world.

Armando Andrade Tudela (born 1975, Lima, Peru) is an artist living and working in St Etienne, France and Berlin, Germany.
Andrade studied at Pontifícia Universidad Católica del Perú in Lima, Perú, the Royal College of Art, London, and at the Jan Van Eyck Akademie, Maastricht. He was a founding member of the artist-run space and art collective Espacio La Culpable, Lima, Perú.
Andrade has taken part in the 2006 São Paulo Biennial, the 2006 Shanghai Biennial and the 2005 Torino Triennale. In previous works, like CAMION (2004), his series of Billboard Photographs (2004-5) and Fragmentos de Escultura (2005), the artist has recombined existing and imagined forms out of a growing interest in local manifestations of the informal that occur on the precarious boundary between the historic and the new.

César Moro (August 31, 1903 – January 10, 1956) is the pseudonym of Alfredo Quíspez-Asín Mas, a Peruvian poet and painter. Most of his poetic works are written in French; he was the only Latin American poet included in the 1920s and '30s surrealist journals of André Breton and the first Latin American artist to join the surrealist group on his own initiative, as opposed to being recruited by Breton.