1911 Encyclopaedia Britannica articles with no significant updates

Emmanuel_Hiel

Emmanuel Hiel (30 May 1834 – 27 August 1899), was a Flemish-Dutch poet and prose writer.
Hiel was born at Sint-Gillis-bij-Dendermonde. During his life he held various jobs, from teacher and government official to journalist and bookseller, busily writing all the time both for the theatre and the magazines of North and South Netherlands. His last posts were those of librarian at the Industrial Museum and professor of declamation at the Conservatoire in Brussels.Hiel took an active and prominent part in the so-called Flemish movement in Belgium, and his name is constantly associated with those of Jan van Beers, Jan Frans Willems, and Peter Benoit. Benoit set some of Hiel's verses to music, notably in his oratorios Lucifer (performed in London at the Royal Albert Hall and elsewhere) and De Schelde ("The Scheldt"). The Dutch composer Richard Hol (of Utrecht) composed music for Hiel's Ode to Liberty, and van Gheluwe used Hiel's verses in his Songs for Big and Small Folk (second edition, much enlarged, 1879). That music greatly contributed the popularity of Hiel's writing in schools and among Belgian choral societies.Hiel also translated several foreign lyrics. His rendering of Tennyson's Dora was published in Antwerp around 1871. For the national festival of 1880 at Brussels, to commemorate the fiftieth anniversary of Belgian independence, Hiel composed two cantatas, Belgenland ("The Land of the Belgians") and Rer Belgenland ("Honour to Belgium"), which, set to music, were much appreciated.Hiel's efforts to counteract Walloon influences and bring about a rapprochement between the Netherlanders in the north and the Teutonic racial sympathizers across the Rhine made him very popular with both. A volume of his best poems was in 1874 the first in a collection of Dutch authors published in Leipzig, Germany.He died in 1899 at Schaerbeek.

Ludwig_Devrient

Ludwig Devrient (15 December 1784 – 30 December 1832) was a German actor, noted for his playing in the works of Shakespeare and Schiller.
Devrient, who was born in Berlin, left a commercial career for the stage in 1804. He joined a travelling theatrical company, and made his first appearance on the stage at Gera as the messenger in Schiller's Braut von Messina. By the interest of Count Brühl, he appeared at Rudolstadt as Franz Moor in Schiller's Die Räuber, so successfully that he obtained a permanent engagement at the ducal theatre in Dessau, where he played until 1809. He then received a call to Breslau, where he remained for six years. Such was his success in the title-parts of several of Shakespeare's plays, that the leading actor August Wilhelm Iffland began to fear for his own reputation; yet that artist was generous enough to recommend the young actor as his only possible successor. On Iffland's death, Devrient was summoned to Berlin, where he was for fifteen years the popular idol. He died there in December 1832.Ludwig Devrient was equally adept in comedy and tragedy. Falstaff, Franz Moor (in Die Räuber), Shylock, King Lear and Richard II were among his best parts. Karl von Holtei in his Reminiscences gave a graphic picture of him and the "demoniac fascination" of his acting. He also wrote several plays and a history of the German stage (1848–74) in five volumes. With his son, Otto, he published translations of Shakespeare's plays.
Devrient was a member of a notable theatrical family, his three nephews all being actors. Karl August Devrient (1797–1872) was popular in heroic and character roles such as Lear, Shylock, and Faust. Another nephew, Eduard Devrient (1801–1877), directed the Court Theatre, Dresden (1844–46), and the Karlsruhe Theatre (1852–70). Gustav Emil Devrient (1803–1872), was the youngest and most gifted of all three nephews of Ludwig Devrient.

Clovis_Hugues

Clovis Hugues (November 3, 1851 – June 11, 1907) was a French poet, journalist, dramatist, novelist, and socialist activist. He wrote some of his works in Provençal and un 1898 was elected a majoral of the Félibrige, a society for the promotion of the Occitan language and culture.

Joséphine-Félicité-Augustine_Brohan

Joséphine-Félicité-Augustine Brohan (1824–1893) was a French actress.
The eldest daughter of Augustine Susanne Brohan and the sister of Émilie Madeleine Brohan, she was admitted to the Conservatoire when very young, twice taking the second prize for comedy.The soubrette part, entrusted for more than 150 years at the Comédie-Française to a succession of artists of the first rank, was at the moment without a representative, and Mlle Augustine Brohan made her debut there on May 19, 1841, as Dorine in Tartuffe, and Lise in Rivaux deux-mêmes.She was immediately admitted pensionnaire, and at the end of eighteen months unanimously elected sociétaire. She soon became a great favorite, not only in the plays of Molière and de Regnard, but also in those of Marivaux. On her retirement from the stage in 1866, she made an unhappy marriage with Edmond David de Gheest (died 1885), secretary to the Belgian legation in Paris.