Articles with National Gallery of Canada identifiers

Jörg Immendorff (14 June 1945 – 28 May 2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde.

David Michael Wojnarowicz ( VOY-nə-ROH-vitch; September 14, 1954 – July 22, 1992) was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.

Arnaldo Pomodoro (born 23 June 1926) is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930–2002) was also a sculptor.
Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ.
Some of Pomodoro's Sphere Within Sphere (Sfera con Sfera) can be seen in the Vatican Museums, Trinity College, Dublin, the United Nations Headquarters and Mt. Sinai Hospital in New York, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Christian Theological Seminary in Indianapolis, the de Young Museum in San Francisco, Tehran Museum of Contemporary Art, American Republic Insurance Company in Des Moines, Iowa, the Columbus Museum of Art in Columbus, Ohio, the University of California, Berkeley, the Virginia Museum of Fine Arts in Richmond, Virginia, Stanford University, and the Tel Aviv University, Israel.

Emmett Williams (4 April 1925 – 14 February 2007) was an American poet and visual artist. He was married to British visual artist Ann Noël.
Williams was born in Greenville, South Carolina, grew up in Virginia, and lived in Europe from 1949 to 1966. Williams studied poetry with John Crowe Ransom at Kenyon College, anthropology at the University of Paris, and worked as an assistant to the ethnologist Paul Radin in Switzerland.
As an artist and poet, Emmett Williams collaborated with Daniel Spoerri and German poet Claus Bremer in the Darmstadt circle of concrete poetry from 1957 to 1959. One of his notable pieces from this period is "Four-Directional Song of Doubt for Five Voices" (1957), in which five performers are each assigned one word of the phrase "You just never quite know", and say their word according to a grid on a card, keeping together with the beat of a metronome: when a black circle appears on the grid, the performer speaks the word, and when no circle appears they say nothing. In the resulting performance, the core phrase "you never quite know" is overshadowed by other combinations of words, such as "you know" and "quite just".In the 1960s, Williams was the European coordinator of Fluxus and worked closely with French artist Robert Filliou, and a founding member of the Domaine Poetique in Paris, France. His work appeared in 0 to 9 magazine, an avant-garde publication that experimented with language and meaning-making. Williams was friends with Václav Havel during his dissident years' he translated some of Havel's work into English. Williams was a guest artist in residence teaching at Mount Holyoke College from September 1975 to June 1976.
Williams' theater essays appeared in Das Neue Forum, Berner Blatter, Ulmer Theater, and other European magazines. He translated Daniel Spoerri's Topographie Anecdotee du Hasard (An Anecdoted Topography of Chance), collaborated with Claes Oldenburg on Store Days, and edited An Anthology of Concrete Poetry, all published by the Something Else Press, which was owned and managed by fellow Fluxus artist Dick Higgins. From the mid-1960s through the early 1970s Williams was Editor in Chief of the Something Else Press.
In 1991, Williams published an autobiography, My Life in Fluxus - And Vice Versa, published by Edition Hansjörg Mayer, Stuttgart, and reprinted the next year by Thames and Hudson.
In 1996, he was honored for his life work with the Hannah-Höch-Preis. He died in Berlin in 2007.
In 2014, Edition Zédélé published a reprint of SOLDIER (Reprint Collection, curated by Anne Moeglin-Delcroix and Clive Phillpot), first published in A Valentine for Noel (1973) by Something Else Press and Hansjörg Mayer.

David Gilhooly (also known as David James Gilhooly III) (April 15, 1943 – August 21, 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures.

Giacomo Manzoni (22 December 1908 – 17 January 1991), known professionally as Giacomo Manzù, was an Italian sculptor.

Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars.
A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions.
Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.

Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.

Samuel Lewis Francis (June 25, 1923 – November 4, 1994) was an American painter and printmaker.

Ken Danby, D.F.A. (6 March 1940 – 23 September 2007) was a Canadian painter who created highly realistic paintings that study everyday life. His 1972 painting At the Crease, portraying a masked hockey goalie defending his net, is widely recognized and reproduced in Canada.