Knights of the Legion of Honour

Jacques_François_Édouard_Hervieux

Jacques François Édouard Hervieux (4 September 1818 – 31 March 1905) was a French pediatrician and gynecologist born in Louviers.
In 1838 he received his licence ès lettres in Rouen, afterwards obtaining a degree in science in Paris (1841), where he later studied medicine. From 1844 to 1848 he worked as a hospital interne in Paris, followed by many years as a hospital physician. In 1892 he became an officer of the Légion d'Honneur, and in 1896 was appointed president of the Académie Nationale de Médecine. He is buried at Cimetière de Montmartre.
Hervieux is remembered for his systematic research of neonatal jaundice. In 1847 he published a major work on the disease called De l'ictère de nouveau-nés.

Charles_Joseph_Gravier

Charles Joseph Gravier (4 March 1865, in Orléans – 15 November 1937, in Paris) was a French zoologist.
He initially taught classes at École normale (1883–85) in Orléans and at the École normale supérieure de Saint-Cloud, afterwards becoming a professor of natural history at the École normale (1887) in Grenoble. In 1893 he obtained his aggregation of natural sciences and in 1896 his PhD in sciences. Later he became first assistant to Edmond Perrier (1844–1921) at the Muséum national d'histoire naturelle in Paris, where from 1903 he served as an assistant to Louis Joubin (1861–1935). In 1917 he attained the chair of zoology (worms and crustaceans) at the museum.
Gravier is known for his research of Anthozoa (class containing sea anemones and corals). The genera Gravieria, Gravierella and Gravieropsammia are named after him, as are numerous marine species, including the Red Sea mimic blenny (Ecsenius gravieri).In 1923 he was made a chevalier of the Légion d'honneur and commander on 6 August 1937.

Pierre-Victor_Galtier

Pierre-Victor or Pierre Victor Galtier ((1846-10-15)15 October 1846 – (1908-04-24)24 April 1908) was a veterinarian and professor at the National Veterinary School of Lyon, specialising in pathology of infectious diseases, health surveillance and commercial and medical legislation. He developed a rabies vaccine which had some experimental success in laboratory animals.

Léon_Gandillot

Léon Gandillot (20-25 January 1862 – 21 September 1912) was a French playwright.
Gandillot was the nephew of the librettist and dramatist Hector Crémieux. In 1886, his first comédie en vaudeville Les Femmes collantes gave him the opportunity to be known very quickly. He later gained other successes with comedies such as La Mariée récalcitrante, La Course aux jupons, and Ferdinand le noceur. Two of these plays have until now been adapted to film: Les Femmes collantes twice, in 1919 by Georges Monca and in 1938 by Pierre Caron as well as Ferdinand le noceur in 1934 by René Sti.

Albert_Préjean

Albert Préjean (27 October 1894 in Paris – 1 November 1979 in Paris) was a French actor, primarily in film. He served in World War I, and was decorated with the Croix de Guerre and the Legion d'honneur. With Lysiane Rey, he was the father of Patrick Préjean, and grandfather of Laura Préjean.

Ricciotto_Canudo

Ricciotto Canudo (French: [kanydo]; 2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913 he published a bimonthly avant-garde magazine entitled Montjoie!, promoting Cubism in particular. Involved in numerous movements yet confined to none, Canudo exuded seemingly boundless energy. He ventured into poetry, penned novels (pioneering a style emphasizing interpersonal psychology, which he dubbed sinestismo), and established open-air theatre in southern France. As an art critic, he unearthed talents like Chagall, curating a Chagall exhibition in 1914. In that same year, alongside Blaise Cendrars, he issued a call for foreigners residing in France to enlist in the French army. Among the 80,000 who responded was Canudo himself.He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art, among others. Canudo subsequently added dance as a precursor to the sixth—a third rhythmic art with music and poetry—making cinema the seventh art.Canudo is often regarded as the inaugural aesthetician of cinema, thus making his "Manifesto" pertinent for an English-speaking readership. Several of Canudo's concepts found resonance with two prominent early French film experimenters—Jean Epstein and Abel Gance.