Vocation : Entertain/Music : Composer/ Arranger

Alf_Cranner

Alf Cranner (25 October 1936 – 3 March 2020) was a major Norwegian folk singer, lyricist and painter, considered by many to be the pioneer of the Norwegian folk music wave of the 1960s. The citation for the award of Evert Taube Memorial Fund Grant 1994, to Cranner states: «Det är motiverat att anse honom som sin tids fader för den norska viskonsten» (It is motivated by the regard of him as the father of the Norwegian folk music genre). He is known for several popular folk music interpretations and beautiful folk tunes, including these: Å, den som var en løvetann with lyrics by another great Norwegian folk singer and lyricist Alf Prøysen (1914–1970), Bare skrap and Den skamløse gamle damen with lyrics by Klaus Hagerup and Sjømannsvise with the text of Harald Sverdrup. Among Cranner folk songs with his own lyrics is Båt til lyst and Hambo i fellesferien two of the best known. The folk song Din tanke er fri, is Cranner translation of the German Die Gedanken sind frei.

Bjørn_Fongaard

Bjørn Fongaard (2 March 1919 in Oslo – 26 October 1980 in Oslo) was a Norwegian composer, guitarist, and teacher. In addition to being concerned with microtonal and electronic music, he was perhaps the first to use the prepared guitar. "Fongaard's output is considerable...Due to the partly experimental notation, these works have not become widely known."

Florencio_Morales_Ramos

Florencio ("Flor") Morales Ramos (September 5, 1915 – February 23, 1989), better known as Ramito, was a Puerto Rican trovador, and composer who was a native of Caguas, Puerto Rico. Fans of the genre consider him the king of Jíbaro music. Known as "El Cantor de la Montaña" (The Singer from the Mountain), Morales Ramos had two brothers, Luis ("Luisito") and Juan María ("Moralito"), who also attained major recognition as jíbaro singers.

Eduardo_Arolas

Eduardo Arolas (February 24, 1892 – September 29, 1924) was an Argentine tango bandoneon player, leader and composer.
Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was El Tigre del bandoneón (the tiger of the bandoneon).
Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as Agustín Bardi and Roberto Firpo.
In 1917 Arolas moved to Montevideo where he settled, he played a number of times at the Teatro Casino. From 1920 he resided mainly in Paris where he died alone and alcoholic in 1924.