Vocation : Entertain/Music : Composer/ Arranger

Josep_Maria_Ventura_i_Casas

Josep Maria Ventura i Casas (Alcalá la Real (Jaén), 1817 – Figueres (Catalonia), 1875), popularly known as Pep Ventura, was a Spanish musician and composer from Catalonia who consolidated the long sardana and reformed the cobla, adding instruments to give it its current formation.
He is considered the father of the modern Sardana by the profound transformation that he printed to these compositions, based on giving it greater musical extension, in the inclusion of new instruments, especially the tenora (instrument creation of Andreu Turon) from 1849 and its arrangement in the cobla, which will imitate another musical formations of this type. His performance before the Queen Isabella II of Spain in the Monastery of Montserrat together with other artists of the Renaixença consecrated him as a figure in the Catalan cultural world.

Aníbal_Troilo

Aníbal Carmelo Troilo (11 July 1914 – 18 May 1975), also known as Pichuco, was an Argentine tango musician.
Troilo was a bandoneon player, composer, arranger, and bandleader in Argentina. His orquesta típica was among the most popular with social dancers during the golden age of tango (1940–1955), but he changed to a concert sound by the late 1950s.
Troilo's orchestra is best known for its instrumentals, though he also recorded with many well-known vocalists such as Roberto Goyeneche, Edmundo Rivero and Francisco Fiorentino. His rhythmic instrumentals and the recordings he made with vocalist Francisco Fiorentino from 1941 to 1943, known as milongas, were some of the favourites in tango salons. The renowned bandoneonist Astor Piazzolla played in and arranged for Troilo's orquesta típica during the period of 1939–1944.

Ricardo_Castro

Ricardo Castro Herrera (Rafael de la Santísima Trinidad Castro Herrera) (7 February 1864 – 27 November 1907) was a Mexican concert pianist and composer, considered the last romantic of the time of Porfirio Díaz.