20th-century Spanish singers

Tino_Casal

José Celestino Casal Álvarez, more commonly known as Tino Casal, (11 February 1950, in Tudela Veguín, Oviedo, Asturias, Spain – 22 September 1991, in Madrid, Spain) was a Spanish singer, songwriter and producer, who was active during La Movida Madrileña (English: The Madrid movement) Tino was one of the most popular singers in the 1980s in Spain. He became one of the most famous performers and his lavish costumes and sets were comparable to Liberace.

Juanito_Valderrama

Juan Valderrama Blanca (24 May 1916 – 12 April 2004), better known as Juanito Valderrama, was a Spanish flamenco and folk singer. Although he was known for singing copla, he always claimed to be a flamenco singer.
Born in Torredelcampo, Juanito's recording career began in 1935 and lasted more than 60 years. Among his most famous songs is "El emigrante", written in 1949, a ballad for the millions of displaced Spaniards who fled the country in the years after the Spanish Civil War. In 1960 he appeared in the film of the same name.
He was romantically and professionally partnered with singer and actress Dolores Abril from 1954 until his death in 2004. The couple had two children, Juan Antonio Valderrama and Juana Dolores Valderrama, who both became singers.

Camarón_de_la_Isla

José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla, was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century.

Raquel_Meller

Francisca Romana Marqués López (9 March 1888 – 26 July 1962), better known as Raquel Meller, was a Spanish diseuse, cuplé, and tonadilla singer and actress.She was an international star in the 1920s and 1930s, appearing in several films and touring Europe and the Americas. A vaudeville performer, she sang the original versions of well known songs such as "La Violetera" and "El relicario", both written by José Padilla Sánchez.

La_Niña_de_los_Peines

Pastora Pavón Cruz, known as La Niña de los Peines (10 February 1890 – 26 November 1969), is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist. Both brothers, Pastora and Tomás, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or Fosforito, who led the movement towards the revival of traditional forms in the decades of the 1950s-1970s.

Concha_Piquer

María de la Concepción Piquer López (13 December 1906 – 12 December 1990), better known as Concha Piquer (and sometimes billed as Conchita Piquer), was a Spanish singer and actress. She was known for her work in the copla form, and she performed her own interpretations of some of the key pieces in the Spanish song tradition, mostly works of the mid-20th century trio of composers Antonio Quintero, Rafael de León y Manuel Quiroga.