Traits : Body : Race

Joseph_Goto

Joseph Goto (1916–1994) was an American sculptor, best known for his abstract-expressionist welded steel sculptures. He was born in Hilo, Hawaii, and learned welding in the United States Army during the Second World War. In the late 1940s, Goto studied sculpture at the Art Institute of Chicago. He taught at Brandeis University, Carnegie Mellon University, the Rhode Island School of Design, and the University of Michigan.Goto's sculptures range from table-top size to large scale public works. No. 24 in the collection of the Honolulu Museum of Art is typical of his small-scale works. The Art Institute of Chicago, the Butler Institute of American Art (Youngstown, OH), the Honolulu Museum of Art, the Kresge Art Museum (East Lansing), the Museum of Modern Art (New York), the Nelson-Atkins Museum of Art (Kansas City, MO), and the Rhode Island School of Design are among the public collections holding works by Joseph Goto.https://www.josephgoto.org/
https://www.instagram.com/josephgoto_/

Ted_Tsukiyama

Ted Tatsuya Tsukiyama (Japanese: 築山 達哉, December 13, 1920 – February 13, 2019) was a Japanese American attorney and bonsai enthusiast. During World War II he was a member of the Varsity Victory Volunteers, 442 Regimental Combat Team, and the Military Intelligence Service. He was the first Japanese American to graduate from Yale Law School.

Fred_Punahoa

Fred Punahoa Konanui (also spelled "Punahou") (April 25, 1919 - March 10, 1985) was a Hawaiian musician and slack key guitar player from Kalapana, Hawaii. Though only two known recordings exist of "Uncle Fred," he remains one of the most influential slack key artists of all time.
His legacy as a teacher can be attested to by such prominent students as Ledward Kaapana and Sonny Lim, both now-famous slack key guitarists who credit Uncle Fred as a primary teacher and inspiration.
The only known recordings of Konanui consist of two songs from the 1974 Waimea Music Festival CD, which were given generic titles on the track list but have since become known as "Mauna Loa Slack Key", and "Punahoa Special". These songs are now standards in the slack key cannon, covered by Led, Sonny Lim, Makana, Nick Borho, and many other slack key guitarists.

Isabella_Abbott

Isabella Aiona Abbott (June 20, 1919 – October 28, 2010) was an educator, phycologist, and ethnobotanist from Hawaii. The first native Hawaiian woman to receive a PhD in science, she became a leading expert on Pacific marine algae.

Wah_Kau_Kong

Wah Kau Kong (Chinese: 江華九; January 17, 1919 – February 22, 1944) was the first Chinese American fighter pilot. Born in Honolulu, Hawaii, Kong became a chemist after graduating from the University of Hawaii and joined the United States Army Air Forces after the Attack on Pearl Harbor.
After completing flight school, Kong became a P-51 Mustang fighter pilot in England. He claimed 1.5 victories before being killed in action on a mission over Germany in late February 1944. In 1994, he was posthumously honored in the congressional record by Hawaiian Senator Daniel Akaka, who shared his story on the Senate floor.

Anne_Triola

Anne Margaret Triola (September 25, 1920 – July 27, 2012) was an American singer, musician, and actress of stage, film, and television. As a comedian and supporting actress, she got her start singing in Hollywood night clubs. Triola made her mark in the well known musical film Lullaby Of Broadway (1951) and received much praise for her effort in the motion picture Without Reservations (1946), which starred Claudette Colbert and John Wayne. She participated in five Hollywood films, assisted with USO tours in the Pacific Theater during World War II, and caused audiences to lose themselves in laughter, but Triola may best be remembered for work as a singer and comedian with the musical theatre that included performances in night clubs all over the country such as the Blue Angel in New York City.
Triola was listed as being one of the most popular performers in the history of Music Circus that included her work with the Sacramento Music Circus in the 1950s. She was described as a petite, dark haired, dark-eyed song stylist with the Betty Hutton type of delivery.