Articles with PIC identifiers

Peter_Gowland

Peter Andrew Gowland (April 3, 1916 – March 17, 2010) was a famous American glamour photographer and actor. He was known for designing and building his own studio equipment and was active professionally for six decades with his business partner, Alice Beatrice Adams, whom he married in 1941.

Charles_Spindler

Charles Spindler (11 March 1865 in Bœrsch – 3 March 1938 in Bœrsch) was an Alsatian painter, marquetry inlayer, writer and photographer. He was also a supporter of Alsatian regionalism and founded several institutions for the promotion of Alsatian culture.

Howard_Heemstra

Howard Heemstra was an architect, professor of architecture, and photographer. He was born in Orange City, Iowa on December 22, 1928 and died in Ames, Iowa on July 22, 2011. He graduated from Northwestern Academy (1946), and Northwestern Junior College in Orange City in 1948 before earning a Bachelor of Architecture degree from Iowa State University in 1952.
After working briefly in Sioux City for an architecture firm Heemstra joined the US Army and served two years in the Korean War. After returning from abroad he applied for graduate studies to Harvard University and the Cranbrook Academy of Arts in Bloomfield, Michigan. Since he could not afford Harvard's tuition he enrolled at Cranbrook and earned his Master of Architecture degree in 1958. Heemstra worked twelve years as an architect before joining Iowa State University in 1966. He became a full professor in 1976 and continued to teach until his retirement in 2003, when he was named Professor Emeritus.
Heemstra worked at Ray Crites' architectural office in Cedar Rapids when the commission for Stephens Auditorium, part of the Iowa State Center on the Iowa State University campus, came to the firm, and he was the project architect for the building which was completed in 1969. Stephens Auditorium was selected as the "Building of the Century" by the Iowa chapter of the American Institute of Architects in 2004.

Marcia_Hafif

Marcia Jean Hafif (née Woods; August 15, 1929 – April 17, 2018) was an American painter born in Pomona, California.
Her work has been associated with the Radical Painting Group, an artist collective focused on abstraction and active during the 1970s and 1980s, which she formed together with Joseph Marioni, Olivier Mosset, and Erik Saxon.

William_Culp_Darrah

William Culp Darrah (1909 – 1989) was an American professor of biology at Gettysburg College in Pennsylvania. He also had an interest in, and published several works on, 19th-century photography.
Born in Reading, Pennsylvania, his was a specialist in paleobotany. Darrah was a fellow of the American Association for the Advancement of Science, as well a member of Sigma Xi and the Botanical Society of America.As an authority on the history of photography, he authored several books about 19th-century photo processes and photographers. As part of his interest in early photography, he assembled a collection of over 60,000 cartes-de-visite, which is now held at Penn State University.
He died in Gettysburg, Pennsylvania.

Paul_Ivano

Paul Ivano, ASC (May 13, 1900 – April 9, 1984), was a Serbian–French–American cinematographer whose career stretched from 1920 into the late 1960s. Born Paul Ivano Ivanichevitch, to Serbian parents in Nice, France, he served for two years with the Franco–American Ambulance Corps and the American Red Cross Ambulance Corps from 1916 to 1918. After the conclusion of World War I, he remained in the Balkans, acting as a photographer and interpreter for the American Red Cross. He arrived in the United States in 1919, and moved to California, the following year. In 1947 he was the cameraman who made the first aerial helicopter shots for an American feature film in Nicholas Ray's film noir They Live by Night.

Abel_Niépce_de_Saint-Victor

Claude Félix Abel Niépce de Saint-Victor (26 July 1805, Saint-Cyr, Saône-et-Loire – 7 April 1870, Paris) was a French photographic inventor. Claude was an army lieutenant and the cousin of Nicéphore Niépce. He first experimented in 1847 with negatives made with albumen on glass, a method subsequently used by Frederick Langenheim for his and his brother’s lantern slides. At his laboratory near Paris, Saint-Victor worked on the fixation of natural photographic colour as well as the perfection of his cousin's heliographing process for photomechanical printing. His method of photomechanical printing, called heliogravure, was published in 1856 in Traité pratique de gravure héliographique. In the 1850s, he also published frequently in La Lumière.