19th-century French male artists

Ernest Chaplet (1835 in Sèvres – 1909 in Choisy-le-Roi) was a French designer, sculptor and ceramist. He was a key figure in the French art pottery movement, and his works are held in international public collections such as the Musée d'Orsay, Paris.
Having worked in industry for over 30 years, he opened an atelier with the sculptor Albert-Louis Dammouse in 1882, producing stoneware often influenced by Japanese designs and Chinese prototypes. From 1875 he worked with Félix Bracquemond. Chaplet became head of the Parisian workshops of Charles Haviland of Haviland & Co. in 1882, working in stoneware and porcelain for them. He worked on ceramics with Paul Gauguin from 1886; together they created some 55 stoneware pots with applied figures or ornamental fragments, multiple handles, painted and partially glazed. He later worked with Jules Dalou and Auguste Rodin.
From 1887 Chaplet took up permanent residence at Choisy-le-Roi, often collaborating with the ceramics manufacture Alexandre Bigot. He won acclaim at the 1900 International Exhibition, but lost his sight in 1904, after which his son Emile Lenoble took over his studio. He committed suicide in 1909.

Georges de Feure (real name Georges Joseph van Sluijters, 6 September 1868 – 26 November 1943) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles.
De Feure was born in Paris. His father was an affluent Dutch architect, and his mother was Belgian. De Feure had two sons, Jean Corneille and Pierre Louis, in the early 1890s with his mistress Pauline Domec and a daughter with his first wife Marguerite Guibert (married 7 July 1897).
In 1886, de Feure was one of the eleven students admitted at the Rijksacademie voor Beeldende Kunsten in Amsterdam, which he did however leave very quickly for Paris since he felt that formal academic training had nothing to offer him. Being of very independent nature, de Feure never again took up formal artistic studies, and forged his own independent path. He was however influenced by Jules Chéret in his posters for the café concert but most likely was never his pupil and became the key designer of Siegfried Bing for L'Art Nouveau.
He showed work in the Exposition Universelle de Paris exhibition in 1900. He designed furniture, worked for newspapers, created theater designs for Le Chat Noir cabaret and posters. In August 1901, de Feure was nominated Chevalier de la Légion d'honneur for his contribution to the decorative arts. He died in poverty at the age of 75 years in Paris.

Jean Joseph Vaudechamp (1790–1866) was a French painter born in Rambervillers, Vosges. He was a pupil of Anne-Louis Girodet de Roussy-Trioson.

Pierre Louis Rodolphe Julian (13 June 1839 – 2 February 1907) born in Lapalud southeastern France was a French painter, etcher and professor, founder and director of the Académie Julian in Paris. The writer André Corthis (1882–1952), winner of the 1906 edition of the Prix Femina was his niece.

Louis Welden Hawkins (1849–1910) was a Symbolist painter. He was born of English parents, later taking French nationality.

Philippe Parrot (born 13 May 1831 in Excideuil, died 1894) was a French painter. A street in Périgueux is named after him.

Édouard-Henri Avril (21 May 1849 – 28 July 1928) was a French painter and commercial artist. Under the pseudonym Paul Avril, he was an illustrator of erotic literature. He collaborated with influential people like Octave Uzanne, Henry Spencer Ashbee, and Friedrich Karl Forberg.Avril was a soldier before starting his career in art; he was awarded with the Legion of Honour for his actions in the Franco-Prussian War.

Jean-Joseph Taillasson (French: [tɑjasɔ̃]; 6 July 1745 – 11 November 1809) was a French history painter and portraitist, draftsman, and art critic.

Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light (Biva devoted great attention to light effects). The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour (Chevalier de la Légion d'Honneur).

Adrien Dauzats (16 July 1804 – 18 February 1868) was a French landscape, genre painter and painter of Oriental subject matter. He travelled extensively throughout the Middle East and illustrated a number of books for the travel writer, Baron Taylor.