19th-century French poets

Pierre Jules Théophile Gautier (US: goh-TYAY, French: [pjɛʁ ʒyl teɔfil ɡotje]; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic.
While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde.

Léon Bloy (French pronunciation: [leɔ̃ blwa]; 11 July 1846 – 3 November 1917) was a French Catholic novelist, essayist, pamphleteer (or lampoonist), and satirist, known additionally for his eventual (and passionate) defense of Catholicism and for his influence within French Catholic circles.

Louis-François-Marie Nicolaïe (28 January 1811 – 8 February 1879), better known as Clairville, was a 19th-century French comedian, poet, chansonnier, goguettier and playwright.

Pierre-Marie-Charles de Bernard du Grail de la Villette (24 February 1804 – 6 March 1850), better known simply as Charles de Bernard, was a French writer.

Joseph-Pierre Borel d'Hauterive, known as Petrus Borel (26 June 1809 – 14 July 1859), was a French writer of the Romantic movement.

Paul-Auguste Arène (26 June 1843 – 17 December 1896) was a Provençal poet and French writer.

Charles Cros or Émile-Hortensius-Charles Cros (1 October 1842 – 9 August 1888) was a French poet and inventor. He was born in Fabrezan, Aude.
Cros was a well-regarded poet and humorous writer. As an inventor, he was interested in the fields of transmitting graphics by telegraph and making photographs in color, but he is perhaps best known for being the first person to conceive a method for reproducing recorded sound, an invention he named the Paleophone.
Charles Cros died in Paris at the age of 45.

Jean Lorrain (9 August 1855 in Fécamp, Seine-Maritime – 30 June 1906), born Paul Alexandre Martin Duval, was a French poet and novelist of the Symbolist school.
Lorrain was a dedicated disciple of dandyism and spent much of his time amongst the fashionable artistic circles in France, particularly in the cafés and bars of Montmartre.He contributed to the satirical weekly Le Courrier français, and wrote a number of collections of verse, including La forêt bleue (1883) and L'ombre ardente, (1897). He is also remembered for his Decadent novels and short stories, such as Monsieur de Phocas (1901), Monsieur de Bougrelon (1897), and Histoires des masques (1900), as well as for one of his best stories, Sonyeuse, which he linked to portraits exhibited by Antonio de La Gándara in 1893. He also wrote the libretto to Pierre de Bréville's opera Éros vainqueur (1910).
Manuel Orazi Illustrated his Novella Ma petite ville in 1989.Lorrain was openly gay, often citing ancient Greece as noble heritage for homosexuality and became colloquially known as 'The Ambassador from Sodom'.Due to tubercular symptoms, he started using morphine, and then moved on to drinking ether, a habit he shared with Guy de Maupassant. Under the influence of ether Lorrain wrote several horror stories, but eventually the substance gave him stomach ulcers and health problems.

Henri-François-Joseph de Régnier (28 December 1864 – 23 May 1936) was a French symbolist poet, considered one of the most important of France during the early 20th century.

Louis Hyacinthe Bouilhet (27 May 1821 – 18 July 1869) was a French poet and dramatist.
Bouilhet was born in Cany, Seine Inférieure. He was a schoolfellow of Gustave Flaubert, to whom he dedicated his first work, Melaenis, conte romain (1851), a narrative poem in five cantos dealing with Roman manners under the emperor Commodus. His volume of poems Fossiles attracted considerable attention for being an attempt to make science a subject for poetry. These poems were also included in his Festons et astragales (1859).
As a dramatist he was successful with his first play, Madame de Monlarcy (1856), which ran for 28 nights at the Odéon; Hélène Peyron (1858) and L'Oncle Million (1860) were also favorably received. Of his other plays, only Conjuration d'Amboise (1866) met with any real success.
Bouilhet died on 18 July 1869, at Rouen. Flaubert published his posthumous poems with a notice by the author in 1872.
Bouilhet was Flaubert's mentor and guide; Flaubert never wrote anything without his advice. A few months after Bouilhet's death in 1869, Flaubert wrote about his old friend, "When I lost my poor Bouilhet, I lost my midwife, the man who saw more clearly into my mind than I did myself." According to Starkie, Maxime Du Camp, who knew Bouilhet and Flaubert well, said of the two authors, "It was Bouilhet who was the master, in the matter of literature at least, and that it was Flaubert who obeyed." Throughout their lives, Flaubert referred to Bouilhet as "Monseigneur."