19th-century French dramatists and playwrights

Pierre Jules Théophile Gautier (US: goh-TYAY, French: [pjɛʁ ʒyl teɔfil ɡotje]; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic.
While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde.

Léon Gandillot (20-25 January 1862 – 21 September 1912) was a French playwright.
Gandillot was the nephew of the librettist and dramatist Hector Crémieux. In 1886, his first comédie en vaudeville Les Femmes collantes gave him the opportunity to be known very quickly. He later gained other successes with comedies such as La Mariée récalcitrante, La Course aux jupons, and Ferdinand le noceur. Two of these plays have until now been adapted to film: Les Femmes collantes twice, in 1919 by Georges Monca and in 1938 by Pierre Caron as well as Ferdinand le noceur in 1934 by René Sti.

Émile Souvestre (April 15, 1806 – July 5, 1854) was a Breton novelist who was a native of Morlaix, Brittany. Initially unsuccessful as a writer of drama, he fared better as a novelist (he wrote a sci-fi novel, Le Monde Tel Qu'il Sera) and as a researcher and writer of Breton folklore. He was posthumously awarded the Prix Lambert.

François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's Médée, 1797).

Louis-François-Marie Nicolaïe (28 January 1811 – 8 February 1879), better known as Clairville, was a 19th-century French comedian, poet, chansonnier, goguettier and playwright.

Paul Lacroix (French: [lakʁwa]; 27 February 1806 – 16 October 1884) was a French author and journalist. He is known best by his pseudonym P.L. Jacob, bibliophile, or Bibliophile Jacob, suggested by his great interest in libraries and books generally.

Léon Alfred Fourneau (9 December 1867, in Paris – 17 May 1953, in Paris) was a French humourist, music-hall artist, playwright and songwriter. Originally trained as a lawyer he invented the stage- and pen name Xanrof by inversion of the Latin fornax of his French surname fourneau ("furnace"), before finally legally changing his name to Léon Xanrof. Yvette Guilbert experienced early success singing Xanrof's songs at Rodolphe Salis' cabaret Le Chat Noir.
Born in an bourgeois upper middle class environment, with his father a wealthy physician,young Leon Fourneau was inclined to a literary and poetry career, but his family insisted on him graduating (Baccalauréat) and taking up further éducation (he obediently undertook successful law studies and registered at the paris bar, aged 23), but he still felt inclined to song and opérette writing.
The Xanrof alias was a measure of appeasement towards his family and the bar auhorities as léon Fourneau kept writing and publishing songs for cabaret singers.
A bizarre incident then occurred: As he was crossing the bustling rue Lepic (Lower Montmartre)he was almost run down by a closed winter Fiacre (French Hansom cab with a closed body). The reason for the cab driver being neglectful was both salacious and funny: As Leon Fourneau was dusting himself he saw one of the cab's blinds briefly lifted and got a glimpse of a half-naked couple gazing at him . The cab-ride was what was termed a "course d'alcôve" (lovebed-ride),a not unfrequent instance in "Belle époque"Paris where illegitimate couples enjoyed "comprehensive flirtation" in the intimacy of a cab (At least two short humoristic tales by Alphonse Allais harp on this particular theme).
Leon Fourneau quickly wrote a witty and somewhat racy song called ''Le Fiacre, he was paid 50 gold francs for it and the song was inserted in a comic intermede in an operette called "Les Mohicans de Paris"adapted from a novel By Alexandre Dumas about Paris underworld.
In this song a cuckolded old man walking in a Parisian street hears kisses, moans, and his wife's voice coming from inside a suspiciously rolling and pitching cab. He rushes forward, trips on the slippery wooden paved road ad is squashed to death by the cab. The lady then opens the door and rejoices, telling her lover that they do not need hiding any more. She then urges her lover to pay the princely tip of cent sous (Five gold francs) to the cab driver.
The song then rocketed to French and international success when it was sung by the then-beginner Yvette Guilbert.
Yvette Guilbert's career as a singer was definitely launched and most of her best-remembered songs where written by Léon Fourneau who undertook official action to have his pen name duly registered as his official surname. In time he would resign from the bar, taking up full time operette and song writing work and being elected at the SACEM board (SACEM stands for Société des Auteurs et Compositeurs de Musique and is the mutual organisation in charge of music author's rights).

Victor Margueritte (1 December 1866 – 23 March 1942) was a French novelist. He was the younger brother of Paul Margueritte (1860–1918).

François Jules Edmond Got (1 October 1822, in Lignerolles, Orne – 21 March 1901, in Passy, a district in Paris) was a French stage actor, comedian, and opera librettist.
Edmond Got entered the Conservatoire in 1841, winning the second prize for comedy that year and the first in 1842. After a year of military service he made his debut at the Comédie Française on 17 July 1844, as Alexis in Les Héritiers and Mascarelles in Les Précieuses ridicules. He was immediately admitted pensionnaire, and became sociétaire in 1850. By special permission of the emperor in 1866 he played at the Odéon in Emile Augier's Contagion. His golden jubilee at the Théâtre Français was celebrated in 1894, and he made his final appearance the year after.Got was a fine representative of the grand style of French acting, and was much admired in England as well as in Paris. He wrote two librettos for operas by Edmond Membrée (1820-1892), François Villon (1857) and L'Esclave (1874). In 1881, he was decorated with the cross of the Legion of Honour.

Hugues Delorme (10 April 1868 – 20 May 1942) was a French poet, comedian, playwright and journalist.