Vocation : Writers : Playwright/ script

Manuel Tamayo y Baus (15 September 1829 – 20 June 1898) was a Spanish dramatist.

Carlos Arniches Barreda (11 October 1866 – 16 April 1943) was a Spanish playwright, born in Alicante. His prolific work, drawing on the traditions of the género chico, the zarzuela and the grotesque, came to dominate the Spanish comic theatre in the early twentieth century.
After starting his career as a novelist and journalist, Arniches turned to theatre in 1888 with the publication of his first play, Casa editorial. Much of his work is set in lower-class Madrid and uses colloquial language, song, dance and music.Arniches was complimented in a 1935 interview by Federico García Lorca, often a scathing critic of contemporary Spanish theatre, as 'more of a poet than almost any of those who are writing theatre in verse at the moment'.Following the end of the Spanish Civil War, the social dramas of Carlos Arniches were among the relatively non-controversial plays allowed by the new government.

Gerbrand Adriaenszoon Bredero (16 March 1585 – 23 August 1618) was a Dutch poet and playwright in the period known as the Dutch Golden Age.

Alessandro De Stefani (1 January 1891 – 13 May 1970) was an Italian screenwriter. He wrote for 90 films between 1918 and 1962.

Johann Friedrich von Cronegk (2 September 1731 – 1 January 1758) was a German poet. He was born in Ansbach.

Fernand Crommelynck (19 November 1886 – 17 March 1970) was a Belgian dramatist. His work is known for farces in which commonplace weaknesses are developed into monumental obsessions.

Henri Léon Emile Lavedan (9 April 1859 – 4 September 1940), French dramatist and man of letters, was born at Orléans, the son of Hubert Lavedan, a well-known Catholic and liberal journalist.
Lavedan contributed to various Parisian papers a series of witty tales and dialogues of Parisian life, many of which were collected in volume form. In 1891 he produced at the Théâtre Français Une Famille, followed at the Vaudeville in 1894 by Le Prince d'Aurec, a satire on the nobility, afterward renamed Les Descendants.He had a great success with Le Duel (Comédie-Française 1905), a powerful psychological study of the relations of two brothers, which was turned into a movie—The Duel—on which he was a co-writer. It was translated into English by Louis N. Parker and performed in New York in 1906 at the Hudson Theatre.Lavedan was admitted to the Académie française in 1898.