Articles with BMLO identifiers

Jules_Bastin

Jules Bastin (18 August 1933, Brussels – 2 December 1996, Waterloo) was a Belgian operatic bass who excelled in both serious and comic roles, and left several recordings.

Wilhelm_Heckmann

Wilhelm Heckmann (26 June 1897 – 10 March 1995) was a German concert and easy listening musician. From 1937 to 1945, he was imprisoned in the Nazi concentration camps in Dachau and Mauthausen. Heckmann founded the first prisoner band in Mauthausen, and was also instrumental in the founding of the large prisoner orchestra there.

Friederike_Caroline_Neuber

Friederike Caroline Neuber, née Friederike Caroline Weissenborn, also known as Friedericke Karoline Neuber, Frederika Neuber, Karoline Neuber, Carolina Neuber, Frau Neuber, and Die Neuberin (9 March 1697 – 30 November 1760), was a German actress and theatre director. She is considered one of the most famous actresses and actor-managers in the history of the German theatre, "influential in the development of modern German theatre." Neuber also worked to improve the social and artistic status of German actors and actresses, emphasizing naturalistic technique. During a time when theatrical managers in Germany were predominantly men, Caroline Neuber stands out in history as a remarkably ambitious woman who, during her 25-year career, was able to alter theatrical history, elevating the status of German theatre alongside of Germany's most important male theatrical leaders at the time, such as "her actor-manager husband Johann, the popular stage fool Johann Müller, the major actor of the next generation Johann Schönemann, the multi-talented newcomer Gotthold Ephraim Lessing, and principally, their de facto Dramaturg, Johann Gottsched."

Daniel_Steibelt

Daniel Gottlieb Steibelt (22 October 1765 – 2 October [O.S. 20 September] 1823) was a German pianist and composer. His main works were composed in Paris and in London, and he died in Saint Petersburg, Russia.

Christoph_Gottlieb_von_Murr

Christoph Gottlieb von Murr (6 August 1733 – 8 April 1811) was a polymathic German scholar, based in Nuremberg. He was a historian and magistrate. He edited and contributed to significant cultural and scientific journals. A notable naturalist von Murr was a Member of the Gesellschaft Naturforschender Freunde zu Berlin (Berlin Society of Friends of Natural Science) and the Bayerische Akademie der Wissenschaften (Bavarian Academy of Sciences). He was also
an art historian ,the author of the first bibliography of books on painting, sculpture, and engraving. He published extensively on illuminated manuscripts, early printed books, the history of libraries, the history of the Jesuit missions, the history of the Jews in China, Arabic and Chinese literature. Familiar with most of the European languages, he was an active correspondent with many of the most distinguished scholars of the period. He had a vast library.

Josef_Traxel

Josef Traxel (29 September 1916 in Mainz – 8 October 1975 in Stuttgart) was a German operatic tenor, particularly associated with Mozart roles and the German repertory.
He studied at the Darmstadt Conservatory, but was conscripted into the army before beginning his career. However, he was able to make his debut in Mainz, as Don Ottavio, in 1942, while on sick-leave from the army. After internment in Britain as a prisoner of war, he returned to Germany and resumed his career in Nuremberg in 1946, where he remained until 1952, he then joined the Stuttgart Opera. The same year, he appeared at the Salzburg Festival, where he sang the role of Mercury at the premiere of Richard Strauss's Die Liebe der Danae. In 1954, he first appeared at the Bayreuth Festival as Froh in Rheingold, returning as Walther in Tannhäuser, as Erik and the Steuermann in Der fliegende Holländer, the young sailor in Tristan und Isolde, a Knight in Parsifal, and in 1957, as Stolzing in Die Meistersinger von Nürnberg. He was also a frequent guest at the Munich State Opera and the Vienna State Opera, also appearing in the Netherlands and Switzerland. He frequently performed in, and recorded, sacred music.
He possessed a finely poised tenor with an unusually high tessitura, his wide repertoire ranged from Belmonte to Siegmund, he was also active in concert, often appearing in Bach's oratorios. In 1963, he was a teacher at the Stuttgart Musikhochschule.