Articles with BMLO identifiers

Richard Klemm (born 1902 in Dresden; died 1988 in Berlin) was a German cellist, composer and teacher.

Friedrich Spee (also Friedrich Spee von Langenfeld; February 25, 1591 – August 7, 1635) was a German Jesuit priest, professor, and poet, most well known as a forceful opponent of witch trials and one who was an insider writing from the epicenter of the European witch-phobia. Spee argued strongly against the use of torture, and as an eyewitness he gathered a book full of details regarding its cruelty and unreliability. He wrote, "Torture has the power to create witches where none exist."

Paul Ben-Haim (or Paul Ben-Chaim, Hebrew: פאול בן חיים) (5 July 1897 – 14 January 1984) was an Israeli composer. Born Paul Frankenburger in Munich, Germany, he studied composition with Friedrich Klose and he was assistant conductor to Bruno Walter and Hans Knappertsbusch from 1920 to 1924. He served as conductor at Augsburg from 1924 to 1931, and afterwards devoted himself to teaching and composition, including teaching at the Shulamit Conservatory in Tel Aviv, Israel.
Ben-Haim emigrated to the then British Mandate of Palestine in 1933 and lived in Tel Aviv, near Zina Dizengoff Square. He Hebraized his name, becoming an Israeli citizen upon that nation's independence in 1948. He composed chamber music, works for choir, orchestra and solo instruments, and songs. He championed a specifically Jewish national music: his own compositions are in a late Romantic vein with Middle Eastern overtones, somewhat similar to Ernest Bloch.His students include Eliahu Inbal, Henri Lazarof, Ben-Zion Orgad, Ami Maayani, Shulamit Ran, Miriam Shatal, Rami Bar-Niv and Noam Sheriff. [See: List of music students by teacher: A to B#Paul Ben-Haim.] Ben-Haim won the Israel Prize for music in 1957.The archive of Ben-Haim is preserved in the National Library of Israel.

William Leonard Blankenship (7 March 1928 – 2 December 2017) was an American operatic tenor, music pedagogue at the collegiate level, stage and television actor, and stage director.

Adolf Jensen (12 January 1837 – 23 January 1879) was a German pianist, composer and music teacher.

Anna Amalia of Brunswick-Wolfenbüttel (24 October 1739 – 10 April 1807), was a German princess and composer. She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of Germany.

Ida Marie Lipsius (30 December 1837 in Leipzig – 2 March 1927 in Schmölen), alias La Mara, was a German writer and music historian.

Edith Picht-Axenfeld (1 January 1914 in Freiburg im Breisgau – 19 April 2001 in Hinterzarten) was a German pianist and harpsichordist.

Karl/Carl Wendling ([ventling]) (10 August 1875, Strasbourg – 27 March 1962, Stuttgart) was a German violinist and musical educator.
He studied in his hometown with Heinrich Schuster and Florián Zajíc, and later in Berlin with Carl Halir and Joseph Joachim. From 1902 on he was concertmaster at the Bayreuth Festival. In 1907 and 1908, he was concertmaster with the Boston Symphony Orchestra under Karl Muck. He had his own string quartet, "The Wendling Quartet". From 1909 on, he was a teacher at the Royal Stuttgart Conservatory, where he became director in 1929.

Hans Heinz Stuckenschmidt (1 November 1901 – 15 August 1988) was a German composer, musicologist, and historian and critic of music.