Articles with BMLO identifiers

Mirella Freni, OMRI (Italian: [miˈrɛlːa ˈfreːni], born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's Don Giovanni and as Adina in Donizetti's L'elisir d'amore.
Freni is associated with the role of Mimì in Puccini's La bohème, which featured in her repertoire from 1957 to 1999 and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan. She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965. In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from The New York Times describes her as a "matchless Italian prima donna".

Benita Valente (born October 19, 1934) is an American soprano whose career has encompassed the operatic stage as well as performance of lieder, chamber music and oratorio. She is especially lauded for her interpretations of Mozart and Handel, but she also excelled in certain Verdi roles. The New York Times once referred to her as "as gifted a singer as we have today, worldwide."

Karl Ridderbusch (29 May 1932 – 21 June 1997) was a German operatic bass, associated in particular with the music of Wagner. He was recognised as a notable exponent of the role of Hans Sachs.

Maurice Béjart (French: [beʒaʁ]; 1 January 1927 – 22 November 2007) was a French-born dancer, choreographer and opera director who ran the Béjart Ballet Lausanne in Switzerland. He developed a popular expressionistic form of modern ballet, talking vast themes. He was awarded Swiss citizenship posthumously.

Wolfgang Windgassen (26 June 1914 – 8 September 1974) was a German heldentenor internationally known for his performances in Wagner operas.

Franz Völker (31 March 1899, Neu-Isenburg, Grand Duchy of Hesse – 4 December 1965, Darmstadt, Hesse) was a dramatic tenor who enjoyed a major European career. He excelled specifically as a performer of the operas of Richard Wagner.
He was discovered by the conductor Clemens Krauss and he studied singing at Frankfurt, where he made his début as Florestan in Beethoven's only operatic work, Fidelio, in 1926. Engagements followed in Vienna, Munich, Berlin, and London, where he appeared at the Royal Opera House, Covent Garden, in 1934 and 1937. He also performed often at the Salzburg Festival and the Bayreuth Festival, earning considerable public and critical acclaim.
Roles that he sang during this period, in addition to Fidelio, included Parsifal, Lohengrin, Siegmund in Wagner's Die Walküre and Max in Weber's Der Freischütz. Later in his career, he sang the lead role in Verdi's Otello. He taught singing in Stuttgart, Germany, after retiring from the stage during the 1950s.
He appears in the title role of a fine complete live recording of Lohengrin, conducted by Robert Heger, made in Berlin in 1942. He made many recordings of operatic arias, duets and scenes. These recordings are now available on CD. They capture the warmth, strength and sensitivity of his singing during its prime and confirm his reputation as one of the finest Germanic tenors of the 20th century.
He also made recordings of popular songs, some of which can be found on YouTube, including "Heute Nacht Oder Nie".

Heinrich Schlusnus (6 August 1888 – 18 June 1952) was Germany's foremost lyric baritone of the interwar period. He sang opera and lieder with equal distinction.

Hans von Benda (22 November 1888, in Strasbourg – 13 August 1972, in Berlin) was a German conductor.
A direct descendant of the eighteenth-century composer Franz Benda, he operated in the shadow of better-known German maestri of his generation, notably Wilhelm Furtwängler, Otto Klemperer, and Hans Knappertsbusch. After serving as musical director of Berlin Radio from 1926 to 1934, Benda became (1935) artistic director of the Berlin Philharmonic Orchestra, during Furtwängler's tenure as chief conductor. He held this post until 1939. Meanwhile, he conducted the Berlin Chamber Orchestra, which he had founded in 1932, and with which he toured Australia, South America and Asia as well as Europe. He was married to Karin Rosander, a Finnish violinist.
Unlike Furtwängler and Knappertsbusch (or Klemperer, who had fled Germany shortly after Hitler gained power), Benda joined the Nazi Party [1], possibly through fear that the regime would regard his Czech lineage as insufficiently Aryan. That his party card brought a certain amount of foreign obloquy on his head is indicated by the fact that (according to John L. Holmes' Conductors on Record) a pre-war recording Benda conducted of music by Gluck was issued in America without his name on the label. After World War II, Benda gave evidence during Furtwängler's denazification proceedings, avowing that Furtwängler had protected Jews from official persecution.[2] Having worked in Spain from 1948 to 1952, Benda was subsequently employed at Radio Free Berlin (1954–1958).
Benda had a long recording career, lasting from the 1930s until 1968. Composers in his large discography include Bach, Vivaldi, Handel, Haydn, Mozart père and fils, Schubert, Dvořák, Respighi, C. P. E. Bach, Frederick the Great, Johann Adolf Hasse, Johann Joachim Quantz, Carl Heinrich Graun, and his own collateral ancestor Georg Benda. His conducting on disc tended towards a hefty, straightforward style wholly at odds with Furtwängler's and Knappertsbusch's improvisational unpredictability.

Emmy Destinn (Ema Destinnová ([ˈɛma ˈdɛstɪnovaː] ); 26 February 1878 – 28 January 1930) was a Czech operatic dramatic soprano. She had a career both in Europe and at the New York Metropolitan Opera. She was one of the greatest opera singers of the 19th and 20th centuries.

Max von Schillings (April 19, 1868 – July 24, 1933) was a German conductor, composer and theatre director. He was chief conductor at the Berlin State Opera from 1919 to 1925.
Schillings' opera Mona Lisa (1915) was internationally successful and was performed at the Metropolitan Opera. The composer married Barbara Kemp, the soprano who sang the title role. Before Mona Lisa, Schillings had already written three operas: Ingwelde (1894), Der Pfeifertag (1899) and Der Moloch (1906).