German composer stubs

Georg_Haentzschel

Georg Haentzschel ( 23 December 1907, Berlin – 12 April 1992, Cologne) was a German pianist, broadcaster, composer and arranger.
Haentzschel studied at the Stern Conservatoire in Berlin and made a career which eventually left him as the last remaining representative composer from what he considered the golden age of German film music. He worked equally happily as a jazz pianist, regularly collaborating with the similarly gifted Peter Igelhoff. He directed the Deutsche Tanz-und-Unterhaltungsorchester (German Dance and Entertainment Orchestra). After the war, he moved to West Germany and worked in Cologne.
Haentzschel's most famous film score, for the wartime extravaganza Münchhausen (1943) recalls his mentor Theo Mackeben. The score is flooded with romantic melody and effective scoring. Representative work may be heard in many other film scores, such as Via Mala (released 1948), Annelie (1941) and Robinson soll nicht sterben.
He was killed during the 1992 Roermond Earthquake.

Werner_Eisbrenner

Werner Friedrich Emil Eisbrenner (2 December 1908, Berlin – 7 November 1981, West Berlin) was a German composer and conductor, best known for his film music.

Eisbrenner studied church music and musical education from 1927 to 1929 at the Berlin Staatlichen Musikademie. He then worked as a pianist, arranger, Kapellmeister and conductor, as well as composing violin concertos, orchestral music, the musical comedy Von Hand zu Hand and the music for film, radio and television for which he is best known. This includes the theme for Hans Albers's film Große Freiheit Nr. 7.
Eisbrenner was a member of the jury at the 1st Berlin International Film Festival.Eisbrenner also headed a private "Lehrinstitut für Kirchen- und Schulmusik". In 1974, he received the Filmband in Gold for his long and outstanding contributions to German film. On 23 April 1998 a plaque was unveiled at his former home at Wohnung Bismarckallee 32a in Berlin. He was married to Kathe (née Jacobi) Eisbrenner (b. ?? – d. 11 March 1974). He is buried in the Waldfriedhof Dahlem.

Günter_Raphael

Günter Raphael (30 April 1903 – 19 October 1960) was a German composer. Born in Berlin, Raphael was the grandson of composer Albert Becker. His first symphony was premiered by Wilhelm Furtwängler in 1926 in Leipzig with the Gewandhaus Orchestra. From 1926 to 1934 he taught in Leipzig, but illness and the rise of Fascism – he was declared a "half-Jew" – made this difficult for him. He received the Franz Liszt Award for composition in 1948. His students include Kurt Hessenberg.
His compositions include five symphonies, concertos for violin and for organ, six string quartets, numerous solos and duos for strings and winds with and without piano of which several have been recorded. Raphael also composed organ, piano and choral works. He was also responsible for arranging a performance version of Antonín Dvořák's Cello Concerto in A major (1865) when its piano and cello score was discovered in 1918.He was also an editor of classical and baroque scores for Breitkopf and Härtel, preparing editions of, for example, flute sonatas by Frederick the Great and works by Vivaldi and Johann Sebastian Bach (some of these can be found in the Cornell University Library).

Walter_Gronostay

Walter Gronostay (1906–1937) was a German composer noted for his work on film scores. Gronostay studied under Arnold Schoenberg. From the late 1920s he began working on film music for a mixture of feature films and documentaries. Along with Herbert Windt he composed the music for Leni Riefenstahl's 1938 documentary Olympia, but died unexpectedly at the age of 31 before the film was released.

Will_Meisel

Will Meisel (17 September 1897 – 29 April 1967) was a German composer, who wrote more than fifty film scores during his career. He also wrote several operettas including A Friend So Lovely as You (1930) (Eine Freundin so goldig wie du).

August_Wilhelm_Bach

August Wilhelm Bach (4 October 1796 – 15 April 1869), was a German composer and organist, from Berlin.He studied with his father, Gottfried, as well as with Carl Friedrich Zelter and Ludwig Berger as well as at the Singing Academy in Berlin. In 1816 he served as an organist at St Mary's Church and from 1820 he taught organ and music theory at the Institute of Church Music set up by Zelter. In 1832, Bach succeeded Zelter as the director of the Royal Institute of Church Music in Berlin. He also taught at the Prussian Academy of Arts. His compositions largely consist of sacred works and works for keyboard. He also wrote a pipe organ method and a hymnbook.
He is unrelated to the family of Johann Sebastian Bach.