American LGBT dramatists and playwrights

Cherrie_Moraga

Cherríe Moraga (born September 25, 1952) is a Xicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English since 2017, and in 2022 became a distinguished professor. Moraga is also a founding member of the social justice activist group La Red Xicana Indígena, which is network fighting for education, culture rights, and Indigenous Rights. In 2017, she co-founded, with Celia Herrera Rodríguez, Las Maestras Center for Xicana Indigenous Thought, Art, and Social Practice, located on the campus of UC Santa Barbara.

Tad_Mosel

Tad Mosel (May 1, 1922 – August 24, 2008) was an American playwright and one of the leading dramatists of hour-long teleplay genre for live television during the 1950s. He received the 1961 Pulitzer Prize for Drama for his play All the Way Home.

Christopher_Durang

Christopher Ferdinand Durang (born January 2, 1949) is an American playwright known for works of outrageous and often absurd comedy. His work was especially popular in the 1980s, though his career seemed to get a second wind in the late 1990s.
Sister Mary Ignatius Explains It All For You was Durang's watershed play as it brought him to national prominence when it won him—at the age of 32—the Obie Award for Best Playwright (1980). His play Vanya and Sonia and Masha and Spike won the Tony Award for Best Play in 2013. The production was directed by Nicholas Martin, and featured Sigourney Weaver, David Hyde Pierce, Kristine Nielsen, Billy Magnussen, Shalita Grant and Genevieve Angelson. Durang is a former co-director of the Lila Acheson Wallace American Playwrights Program at Juilliard.

John_Rechy

John Francisco Rechy (born March 10, 1931) is a Mexican-American novelist and essayist. His novels are written extensively about gay culture in Los Angeles and wider America, among other subject matter. City of Night, his debut novel published in 1963, was a best seller. Drawing on his own background, he has contributed to Mexican-American literature, notably with his novel The Miraculous Day of Amalia Gomez, which has been taught in several Chicano studies courses throughout the United States. But, even after the success of his first novel, he still worked as a prostitute, teaching during the day, and hustling at night. He worked as a prostitute into his forties while also teaching at UCLA. Through the 1970's and 1980's he dealt with personal drug use, as well as the AIDS crisis, which killed many of his friends.