American jazz guitarists

Bill Jennings (September 12, 1919 – November 29, 1978) was an American jazz guitarist and composer.

Cal Collins (May 5, 1933 – August 27, 2001) was an American jazz guitarist.
Born in Medora, Indiana, United States, Collins first played the mandolin professionally as a bluegrass musician in the early 1950s. After service in the Army, he moved to Cincinnati, Ohio, and switched to jazz guitar after hearing swing guitarists Charlie Christian, Irving Ashby, and Oscar Moore. He played in Cincinnati for twenty years.Benny Goodman hired him in 1976 at the age of 43. He spent three years with the Goodman orchestra and then three years making albums for Concord Jazz. As a leader and sideman, he worked with Scott Hamilton, Warren Vache, Rosemary Clooney, Ross Tompkins, Woody Herman, John Bunch, and Marshal Royal.In the early 1980s, Collins returned to Cincinnati and slowed down his career. He joined the Masters of the Steel String Guitar Tour in 1993 with Jerry Douglas and Doc Watson and recorded his last album in 1998. In 2001, he died of liver failure.

Paul Winston Weeden (born 7 January 1923 in Indianapolis – 2 July 2011 in Oslo) was an American-Norwegian jazz guitarist and bandleader.

David "Buck" Wheat (March 19, 1922 – June 15, 1985) was an American folk and jazz musician. The Texas-born Wheat was a guitarist and bass player with the dance bands of the era, playing at the Chicago Playboy Jazz Festival 1959 in The Playboy Jazz All Stars and the Chet Baker Trio. In the winter of 1957, he was a jazz guitarist with Baker's Trio. Though most of Baker's material was recorded in Los Angeles, "Embraceable You", "There's a Lull in My Life" and "My Funny Valentine" are rare examples of Baker recording in New York. The format is also unusual for him, just Baker's vocals (no trumpet) accompanied by only Wheat on nylon string acoustic guitar and bassist Russ Savakus.
Wheat wrote music with his partner, lyricist Bill Loughborough. Their composition "Better Than Anything" is part of the live acts of Lena Horne, Phylicia Rashad, Irene Kral, Bob Dorough, Tuck and Patti and Al Jarreau. Their next song, "Coo Coo U", was recorded both by The Kingston Trio and by The Manhattan Transfer. Wheat embraced George Russell's Lydian Chromatic Concept of Tonal Organization for improvization; he would sing scales while playing a guitar accompaniment based on the theory.

Robert Earl Hames (January 22, 1920 – September 6, 1998) was an American jazz guitarist from Texas who played with the dance orchestras of Jan Garber, Orrin Tucker, and Stan Keller. In the early 1950s he was a staff guitarist for live productions at WFAA-TV, a Dallas–Fort Worth broadcaster. Down Beat magazine rated Hames as one of the top ten guitarists in the US.In the mid-1940s Hames was a member of the Jan Garber Orchestra and the Orrin Tucker band before enrolling at the University of North Texas. In 1945 he enrolled at the University of North Texas College of Music. While there, he played electric guitar in 1945 with the Aces of Collegeland, the forerunner to the One O'Clock Lab Band. He also taught guitar on and off campus. One of his high-school students, Jack Petersen, went on to become a well-known jazz educator and jazz guitarist. Hames introduced Petersen to jazz recordings of Karl Kress, Tal Farlow, Chuck Wayne, Herb Ellis (then a student at North Texas), Barney Kessel, Barry Galbraith, Remo Palmieri, Oscar Moore, and Charlie Christian.
While a student at North Texas in 1946, Hames was one of eight student musicians from North Texas to guest star on Interstate's weekly musical radio show, 3:30, Sunday, April 14, 1946, aired on WFAA. Betty Cooper (vocalist) featured with the Blue Notes, a quartet composed of Lynn McClain, June Heitt, Bonnye Williams, and Elsie Mae Cooper. Bob Hames (electric guitar), Jim Bob Floyd (piano), and Bill Meeks (clarinet) were featured as a trio. Hames was a guitarist on the Jerry Haynes Show on WFAA TV in the mid-1950s, which aired Monday through Friday at noon.Hames also had a music store in Greenville, Texas, on Washington Street. He died in Texas in 1998.