German women painters

Dorothea "Dörte" Helm, also Dörte Helm-Heise (3 December 1898 – 24 February 1941) was a German Bauhaus artist, painter and graphic designer.

Pietronella Peters (1848-1924) was a German painter who specialized in portraits and genre scenes of children.

Sophie von Adelung (11 March 1850 – 15 June 1927) was a German writer and painter. She also wrote under the pseudonym S. Aden.Sophie von Adelung was born in Stuttgart, into a family of Russian origin; her father, Nikolaus von Adelung (1809–1878), was secretary to Queen Olga, and was a privy councillor in the Kingdom of Württemberg. In addition to his other work, Nikolaus was literary executor of his father, Friedrich von Adelung. Sophie's mother, Alexandrine von Schubert (1824–1901), was the daughter of General Friedrich von Schubert. Other children of the marriage between Alexandrine and Nikolaus included a son, named after his father, who became a noted entomologist, and another daughter, Olga, with whom Sophie collaborated on several works.
Her books, which she often illustrated herself, were mainly directed at young people. She also translated stories into German from Russian. She wrote regularly for magazines such as Die Frau (Woman) and Fürs Haus (For the House). Some of her work appeared in Thekla von Gumpert's Töchter-Album (Daughter's Album).Her circle included the pianist Maria von Harder, a former pupil of Chopin, whose memories of the composer were recorded by von Adelung, and her own cousin, Sofia Kovalevskaya, who visited her Adelung relatives as a young woman. Sophie von Adelung produced a memoir of her cousin in 1896, after Kovalevskaya's death.

Jeanne Mammen (21 November 1890 – 22 April 1976) was a German painter, illustrator, and printmaker. Her work is associated with the New Objectivity, Symbolism, and Cubism movements. She is best known for her depictions of strong, sensual women and Berlin city life during the Weimar period.

Käthe Fanny Schuftan (12 January 1899 – 21 February 1958) was a German Jewish artist whose paintings and drawings expressed both human suffering and the aspiration of spirit, in the mid 20th century. Josef Paul Hodin wrote that she "worked in an Expressionist style reminiscent of Käthe Kollwitz' social pathos". An artist at the time of the Weimar culture, she was tortured and imprisoned by the Nazis in the early 1930s, and her work was destroyed. She escaped in 1939, arriving in Manchester, England, not long before the outbreak of World War II; she lived and worked there until her death in 1958.

Charlotte Berend-Corinth (25 May 1880 – 10 January 1967) was a German Jewish painter and artist in the Berliner Secession. She was married to German painter Lovis Corinth.

Hildegard Anna Augusta Elisabeth Freiin[1] Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay (31 May 1890 – 27 September 1967), was an abstract artist in the early 20th century and co-founder and first director of the Solomon R. Guggenheim Museum. She was a key figure in advising Solomon R. Guggenheim to collect abstract art, a collection that would later form the basis of the Solomon R. Guggenheim Museum collection. She was also influential in selecting Frank Lloyd Wright to design the current Guggenheim museum, which is now known as a modernist icon in New York City.

Josefa Berens-Totenohl (30 March 1891, in Grevenstein, Sauerland – 6 June 1969) was a German writer and painter.
She was the daughter of a blacksmith. First she became a teacher, but later worked as a writer and painter and made elaborate tapestries. Her romantic peasant novels were very popular in Nazi Germany; although she never joined the Nazi Party, and the novels had no ideological overtones, their praise of peasant virtue, rootedness, and strength were acceptable to the party.