Paige Rense, also known as Paige Rense Noland (May 4, 1929 – January 1, 2021) was an American writer and editor who served as editor-in-chief of Architectural Digest magazine from 1975 until 2010. She founded the Arthur Rense Prize poetry award. Rense also transformed the cooking magazine Bon Appétit into its modern format, was editor-in-chief of GEO, and wrote a mystery novel, Manor House (Doubleday, 1997).
Stefano Benni (born 12 August 1947) is an Italian satirical writer, poet and journalist. His books have been translated into around 20 foreign languages and scored notable commercial success. 2.5 million copies of his books have been sold in Italy.
Léo Malet (7 March 1909 – 3 March 1996) was a French crime novelist and surrealist.
Elizabeth MacKintosh (25 July 1896 – 13 February 1952), known by the pen name Josephine Tey, was a Scottish author. Her novel The Daughter of Time, a detective work investigating the death of the Princes in the Tower, was chosen by the Crime Writers' Association in 1990 as the greatest crime novel of all time. Her first play Richard of Bordeaux, written under another pseudonym, Gordon Daviot, starred John Gielgud in its successful West End run.
Ross Macdonald was the main pseudonym used by the American-Canadian writer of crime fiction Kenneth Millar (; December 13, 1915 – July 11, 1983). He is best known for his series of hardboiled novels set in Southern California and featuring private detective Lew Archer. Since the 1970s, Macdonald's works (particularly the Archer novels) have received attention in academic circles for their psychological depth, sense of place, use of language, sophisticated imagery and integration of philosophy into genre fiction. Brought up in the province of Ontario, Canada, Macdonald eventually settled in the state of California, where he died in 1983.
The Wall Street Journal wrote that:"... it is the sheer beauty of Macdonald’s laconic style—with its seductive rhythms and elegant plainness—that holds us spellbound. 'Hard-boiled,' 'noir,' 'mystery,' it doesn’t matter what you call it. Macdonald, with insolent grace, blows past the barrier constructed by Dorothy Sayers between 'the literature of escape' and 'the literature of expression.' These novels, triumphs of his literary alchemy, dare to be both."
