Family : Parenting : Kids -Traumatic event

Eduardo_De_Filippo

Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known simply as Eduardo, was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senatore a vita by the President of the Italian Republic Sandro Pertini.

Kenneth_Grahame

Kenneth Grahame ( GRAY-əm; 8 March 1859 – 6 July 1932) was a British writer born in Edinburgh, Scotland. He is most famous for The Wind in the Willows (1908), a classic of children's literature, as well as The Reluctant Dragon. Both books were later adapted for stage and film, of which A. A. Milne's Toad of Toad Hall, based on part of The Wind in the Willows, was the first. Other adaptations include Cosgrove Hall Films' The Wind in the Willows (and its subsequent long-running television series), and the Walt Disney films (The Adventures of Ichabod and Mr. Toad and The Reluctant Dragon).

Ross_Macdonald

Ross Macdonald was the main pseudonym used by the American-Canadian writer of crime fiction Kenneth Millar (; December 13, 1915 – July 11, 1983). He is best known for his series of hardboiled novels set in Southern California and featuring private detective Lew Archer. Since the 1970s, Macdonald's works (particularly the Archer novels) have received attention in academic circles for their psychological depth, sense of place, use of language, sophisticated imagery and integration of philosophy into genre fiction. Brought up in the province of Ontario, Canada, Macdonald eventually settled in the state of California, where he died in 1983.

The Wall Street Journal wrote that:"... it is the sheer beauty of Macdonald’s laconic style—with its seductive rhythms and elegant plainness—that holds us spellbound. 'Hard-boiled,' 'noir,' 'mystery,' it doesn’t matter what you call it. Macdonald, with insolent grace, blows past the barrier constructed by Dorothy Sayers between 'the literature of escape' and 'the literature of expression.' These novels, triumphs of his literary alchemy, dare to be both."