Landscape artists

Paul Cézanne ( say-ZAN, UK also siz-AN, US also say-ZAHN, French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and early 20th century Cubism.
While his early works are still influenced by Romanticism – such as the murals in the Jas de Bouffan country house – and Realism, Cézanne arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He altered conventional approaches to perspective and broke established rules of academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principles. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects. Both Henri Matisse and Pablo Picasso are said to have remarked that Cézanne "is the father of us all".
His painting provoked incomprehension and ridicule in contemporary art criticism. Until the late 1890s it was mainly fellow artists such as Camille Pissarro and the art dealer and gallery owner Ambroise Vollard who discovered Cézanne's work and were among the first to buy his paintings. In 1895, Vollard opened the first solo exhibition in his Paris gallery, which led to a broader examination of the artist's work.

John Rogers Cox (March 24, 1915 – January 25, 1990) was an American painter from Terre Haute, Indiana. His style and subject matter align him with the Regionalist (American scene painting) and Magic Realist landscape tradition.

Jules Louis Dupré (April 5, 1811 – October 6, 1889) was a French painter, one of the chief members of the Barbizon school of landscape painters. If Corot stands for the lyric and Rousseau for the epic aspect of the poetry of nature, Dupré is the exponent of its tragic and dramatic aspects.

Paul Camille Guigou (15 February 1834 – 21 December 1871) was a French landscape painter.
Guigou was born in Villars, Vaucluse in a wealthy family of farmers and notaries. He studied painting in Apt and later with Émile Loubon in Marseille. From 1854 to 1861, he worked as a notary clerk in Marseille. In 1863, after Loubon's death, he left Marseille for Paris, where he lived for most of his life. He frequented Café Guerbois, a regular location of many future impressionist painters.
Guigou painted mostly Provence landscapes using oil and watercolour. His early art was influenced by Loubon, and later by the Barbizon school and Gustave Courbet. He did not gain widespread recognition during his lifetime, and was often met with indifference at public exhibitions. Unable to survive financially from his own paintings, he also worked as an art tutor and critic.
He died in Paris at the age of 37 from a stroke. After his death, his pieces generally fell from the public eye for around thirty years until the Centennial Exposition of French Art in 1900, where he was rediscovered. His paintings can be found on public display in Paris and Marseille.

Jean Lurçat (French: [ʒɑ̃ lyʁsa]; 1 July 1892 – 6 January 1966) was a French artist noted for his role in the revival of contemporary tapestry.

Henri Lebasque (25 September 1865 – 7 August 1937) was a French post-impressionist painter. He was born at Champigné (Maine-et-Loire). His work is represented in French museums, notably Angers, Geneva (Petit Palais), Lille (Musée des Beaux-Arts), Nantes, and Paris (Musée d’Orsay).