German film producers

Kurt_Ulrich

Kurt Ulrich (28 June 1905 – 11 September 1967) was a German film producer. He produced more than 140 films between 1933 and 1964. He was born in Berlin, Germany.

Gabriel_Levy

Gabriel Levy (26 May 1881 – 26 March 1965) was a German film producer who was associated with the company Aafa-Film during the 1920s and 1930s. Following the Nazi takeover of power in 1933 the Jewish Levy lost control of the company and was forced into exile in the Netherlands.

Lothar_Stark

Lothar Stark (5 September 1876 – 31 March 1944) was a German film producer. Stark was originally a journalist, but was brought into the film industry by the tycoon Paul Davidson. Stark worked as a distributor and worked then as an independent producer during the First World War and the Weimar Republic, founding his own company Lothar Stark-Film. Following the Nazi takeover in 1933, he faced increasing difficulties. In 1933 when evidence of his Jewish background was discovered, Stark went into exile in Copenhagen. Later he also went to London. He tried to produce new films there, but was unable to secure funding. Then he returned to Denmark, which was then invaded by Germany in 1940. In 1943 Stark, along with the majority of the Danish Jewish population, managed to escape to Sweden.

Horst_Wendlandt

Horst Otto Gregor Wendlandt (15 March 1922 – 30 August 2002) was a German film producer. He produced more than 100 films between 1956 and 2002.In the 1960s Horst Wendlandt's production company Rialto Film produced films based on Edgar Wallace and Karl May, mostly directed by Alfred Vohrer or Harald Reinl. In 1971 Horst Wendlandt founded the film distribution company Tobis Film (named after the old Tobis Film). Tobis was very successful in the 1970s with European films with Jean-Paul Belmondo, Louis de Funès, Terence Hill and Bud Spencer, also with Dino De Laurentiis-productions like Death Wish, Mandingo and King Kong.

Oskar_Messter

Oskar Messter (21 November 1866 – 6 December 1943) was a German inventor and film tycoon in the early years of cinema. His firm Messter Film was one of the dominant German producers before the rise of UFA, into which it was ultimately merged.