1896 births

Günther Tamaschke (26 February 1896 – 14 October 1959) was a Nazi German SS-Standartenführer and commandant of the Lichtenburg and Ravensbrück concentration camps. He was never tried for his role in the Holocaust.

Elisabeth Selbert (1896–1986) was a German politician and lawyer. She was one of the four women who worked on the Basic Law for the Federal Republic of Germany, collectively called the Mütter des Grundgesetzes (English: Mothers of the Basic Law). She had a central role in ensuring that explicit equality between men and women was included as a fundamental right in the Basic Law.

Heinz Pernet (5 September 1896 – 30 June 1973) was a German military officer and Erich Ludendorff's stepson. He was a top figure in the Beer Hall Putsch of November 1923. He was among the nine men tried and convicted along with Adolf Hitler and Erich Ludendorff in 1924. He later became an SA-Brigadeführer.

Theodor Haubach (15 September 1896 in Frankfurt am Main – 23 January 1945 in Berlin) was a German journalist, SPD politician, and resistance fighter against the Nazi régime.
Theodor Haubach spent his childhood and youth in Darmstadt. In 1914, right after his Abitur, he took part in the First World War as a volunteer, and was wounded repeatedly. After the horror of his wartime experiences, Haubach resumed studying.
From 1919 to 1923, he studied philosophy, sociology, and economics and eventually graduated. As of 1920, Haubach, like his friend Carlo Mierendorff, was an SPD member and worked together actively with the Young Socialists. From 1924 to 1929 he was editor of the newspaper Hamburger Echo, and later (1929-1933) an associate at the Reich Interior Ministry and with the Berlin Police President. From 1924 Haubach was the leading member of the Reichsbanner Schwarz-Rot-Gold, an association that campaigned fiercely for the Weimar democracy and actively struggled under the emblem of the "Three Arrows" against the Nazis, who were grasping for power.
Beginning in February 1933, Haubach, like many SPD members, was persecuted by the Nazi régime. After his first arrest in 1934, he was detained in Esterwegen concentration camp. From 1935, he worked as an insurance representative, and later established contacts with the Kreisau Circle. After the failed attempt on Hitler's life at the Wolf's Lair in East Prussia on 20 July 1944, Haubach was arrested and sentenced to death by the Nazi "People's Court" (Volksgerichtshof). Now very ill, Theodor Haubach was hanged on 23 January 1945 along with Helmuth James Graf von Moltke at Plötzensee Prison in Berlin.

Lothar Müthel (né Lothar Max Lütcke; 18 February 1896 – 4 September 1964) was a German stage and film actor and director.

Johanna Hofer (born Johanna Therese Stern; 30 July 1896 – 30 June 1988) was a German film actress. She appeared in 34 films between 1926 and 1982.

Harmut Kallmann (5 February 1896 – 11 June 1978) was a German physicist. He is known for his work on the scintillation counter for the detection of gamma rays.

Roma Bahn (1896–1975) was a German stage and film actress. On stage she was notable for her performances as Polly in the original 1928 production of The Threepenny Opera. In cinema she played supporting roles in films made during the Weimar and Nazi eras.

Luciano Kulczewski (Luciano Kulczewski García) (8 January 1896 Temuco, Chile – 19 September 1972 Santiago) was a Chilean architect of the 20th century.

Camilo Mori Serrano (September 24, 1896 – December 7, 1973) was a Chilean painter and a founder of the Grupo Montparnasse.
The son of an Italian immigrant, Camilo Mori entered the "Escuela de Bellas Artes" (School of Fine Arts) at the University of Chile in 1914 and studied under masters Juan Francisco González, Richón Brunet and Alberto Valenzuela Llanos. In 1920, he was sent by the Chilean government to further his studies in Europe]
Over the next three years, Mori spent time in Rome and Paris. He joined the gathering of artists in the Montparnasse Quarter in Paris. There, his encounter with Pablo Picasso and Juan Gris greatly influenced his ideas of painting. However it was the influence of the works of Paul Cézanne that challenged Mori to move away from the Realism that marked his earlier work. He started experimenting with a variety of styles which later formed the basis of modern art. He exhibited in the Salon d'Automne of 1920 in Paris, where his "Circo de la Feria" received an honorable mention.
He returned to Chile and became one of the founding members of the Grupo Montparnasse, a key influence in the diffusion of the new European painting trends in Chile. In 1928 Camilo Mori was named director of the National Museum of Fine Arts (Spanish: Museo Nacional de Bellas Artes or MNBA). During his tenure in this post, he was responsible for many initiatives aimed at promoting art in Chile. In 1928, as an initiative to mitigate the closure of the School of Fine Arts, Mori was once again sent by the Chilean government to Europe, this time to direct the studies of a group of young painters known as the "Generation of 1928" (Spanish: Generacion del 28), which culminated in 26 of the most outstanding young Chilean artists being sent to study in Paris for five years.
Mori returned to Chile in 1933, where he accepted a position as professor of drawing and color at the Universidad de Chile, a post he retained for over 30 years. In 1937 he moved to the United States where he spent two years exploring some of the newest artistic trends of the time. He was placed in charge of supervising the decoration of, and created a mural for, the pavilion of Chile at the 1939 New York World's Fair.
For his contribution to Chilean art, in 1950 he received the National Prize of Art. His work was complex and multifaceted and moved through Post-Impressionism, Expressionism, Cubism and Surrealism, with the common trend among them being a prominent treatment of color.