20th-century Italian male writers

Cesare Zavattini (20 September 1902 – 13 October 1989) was an Italian screenwriter and one of the first theorists and proponents of the Neorealist movement in Italian cinema.

Guido da Verona (the pseudonym of Guido Verona; 7 May 1881 – 5 April 1939) was an Italian poet and novelist.
Born in Saliceto Panaro to a Jewish family, Verona started his career as a poet in 1901 with the poetry collection Commemorazione del fatto d'arme di Brichetto, followed by I frammenti d'un poema (1902) and Bianco amore (1907).He gained a larger popularity as a novelist, starting from 1911 when he published his first novel Colei che non si deve amare, considered among the most representative examples of the Italian Feuilleton. He later was the most commercially successful Italian writer between 1914 and 1939: particularly his novel Mimì Bluette, fiore del mio giardino, which reached 300,000 copies in 1922, an impressive run in Italy where illiteracy characterized the majority of the population.He was a signatory to the Manifesto of Fascist intellectuals in 1925; in 1929 he published a parody novel of Alessandro Manzoni's The Betrothed, that actually was an implicit satire against fascism.He became an intellectual unpopular with the Fascist regime and marginalized after the approval of racial laws. Da Verona committed suicide in Milan at age 57.

Clemente Rebora (6 January 1885 – 1 November 1957) was a poet from Milan, Italy. He received a degree in Italian literature in Milan. In the early 1900s he worked for the magazines La Voce, Rivista d’Italia and La Riviera Ligure.His book Frammenti Lirici (Italian: Lyrical Fragments) was published in 1913. From 1913 to 1922, he wrote anonymous "Songs" and lyrics. After World War I Rebora began to work as a teacher.Previously an atheist, he had a spiritual crisis in 1928 and became a devout Catholic. In 1930, he entered a seminary; in 1936, he became a Rosminian priest. After this, his work became religious in orientation, but his work is popular beyond Catholic circles for its treatment of metaphysics and physics. He is somewhat controversial for his friendship with Julius Evola, but the friendship seems to have been largely based on his hope Julius would convert to Christianity. When this hope grew dim the friendship declined.

Alessandro Ghigi (9 February 1875 – 20 November 1970) was an Italian zoologist, naturalist and environmentalist.

Carlo Mazzarella (30 July 1919 – 7 March 1993) was an Italian actor and journalist.

Gianluca Grignani (born 7 April 1972) is an Italian singer-songwriter and guitarist.

Gabriele Maria "Gabriellino" D'Annunzio (10 April 1886 – 8 December 1945) was an Italian actor, screenwriter and film director. He was the son of the Italian writer Gabriele D'Annunzio. He adapted the 1921 film The Ship from a novel by his father. In 1924 he co-directed the epic Quo Vadis with Georg Jacoby, but the project was a commercial failure and he retired from filmmaking. He died on 8 December 1945 at 59 years old, due to a disease that afflicted him.

Giuseppe Caruso (12 October 1934 – 7 March 2019), best known as Pino Caruso, was an Italian actor, author and television personality.

Sandro Bolchi (18 January 1924 – 2 August 2005) was an Italian director, actor and journalist.

Raffaele Viviani (10 January 1888 – 22 March 1950) was an Italian author, playwright, actor and musician. Viviani belongs to the turn-of-the-century school of realism in Italian literature, and his works touch on seamier elements of the lives of the poor in Naples of that period, such as petty crime and prostitution. Critics have termed Viviani "an autodidact realist", meaning that he acquired his skills through personal experience and not academic education.
Viviani appeared at age 4 on the stage, and by age 20 he had acquired a solid nationwide reputation as an actor and playwright. He also played in Budapest, Paris, Tripoli, and throughout South America during his career. His plays are in the "anti-Pirandello" style, less concerned with the psychology of people than with the lives they lead. Viviani's best known-work is L'ultimo scugnizzo (The Last Urchin) (1931), scugnizzo being the underclass Neapolitan street child. Viviani composed songs and incidental music for many of his earlier works. One such well-known melodrama is via Toledo di notte, (Via Toledo by Night) a 1918 work which even incorporates American cakewalk and ragtime rhythms to tell the story of the "street people" of via Toledo, the most famous street in Naples.